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Texas Incentive Program Delivers $1.17 Billion in Economic Impact
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California Expands Film and Television Tax Credit
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European Film Financing Enters a More Selective Phase
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All The Little Live Things wins the 4th Cannes Investors Circle
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IPR.VC Investment Manager Darragh Matthews on Gentle Monster
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Interview with Maria Drandaki, producer of Titanic Ocean
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Interview with Adrià Monés, producer of The End of It
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Ting, interview with the producer Roberto Cavallini
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Turkish Micro Dramas are coming to Italy with İki Dakika Creative House
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Backrooms Becomes A24’s First $200M Global Release
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Netflix Expands Masha and the Bear Deal
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Digital-Native Horrors are Bringing Gen Z Back to Movie Theaters with Backrooms and Obsession
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A Good Girl’s Guide to Murder Series Two Trailer
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Shooting in Spain with Tax Incentives and Regional Production Support
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Apulia Film Commission presents in Cannes Cine-Voucher Market Puglia
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Filming In Veneto
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How to Get Your Film Academy Qualified
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IDM and BFFB launch MASO#3
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The Creative Hub Filmmaking Academy Addis Ababa Launches
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Applications Open for Forward – Trentino Producers Lab
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Lanterne Magiche and Manifatture Digitali Cinema at Didacta
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TIFF 25 Turns Nadia Comăneci’s Presence Into a Wider Cultural Moment
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Bangkok International Content Market 2026 Aims to Position Thailand as Asia’s Content Hub
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Apulia Film Commission presents in Cannes Cine-Voucher Market Puglia
Carolina Mancini
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05/16/2026
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2025 Box Office Trends. Asia Rising, Europe Resilient
Angela Grillo
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05/13/2026
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The New Geography of Theatrical Performance
Elisabetta Brunella & Silvia Mancini
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05/11/2026
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The Producers on the Move selected participants
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04/29/2026
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5 TorinoFilmLab titles at the Cannes Film Festival
Carolina Mancini
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04/28/2026
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DARO Studio acquires Cinema & Video International
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The New Era of Digital Media Trends in 2026 for Maximizing Fandom
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Global Box Office 2026 and Why the Industry Projects a 34.7 Billion Dollar Recovery
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From Volume to Value and the 200 Billion Dollar Future of Global Streaming
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The European Audiovisual Landscape 2026 – Production Records and Systemic Challenges
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There is no Italy without Cinema: an open letter from Authors
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Towards the Athens EFAs: a year of events in Greece and at festivals
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The signing of the Convention for the co-production of European series in Lille
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The 10 Titles of Series Mania Buyers Upfront
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Prime Video and HBO Max Join the Keynotes
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ANiMPACT STANDARDS Public Consultation Open
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Forestieri New President of Cartoon Italia. 5 Million Euros from the Ministry for the Sector
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STUDIOCANAL acquires LUCKY RED
FINANCING
funding
Texas Incentive Program Delivers $1.17 Billion in Economic Impact
tax incentives
California Expands Film and Television Tax Credit
financing
European Film Financing Enters a More Selective Phase
PRODUCTION
production
Interview with Maria Drandaki, producer of Titanic Ocean
copro
Interview with Adrià Monés, producer of The End of It
production
Ting, interview with the producer Roberto Cavallini
DISTRIBUTION
distribution
Backrooms Becomes A24’s First $200M Global Release
deals
Netflix Expands Masha and the Bear Deal
previews
La vita segreta dei giocattoli Debuts at Biografilm Festival
EVENTS
festivals
TIFF 25 Turns Nadia Comăneci’s Presence Into a Wider Cultural Moment
festivals
Transilvania International Film Festival Opens Its 25th Edition
festivals
The Marché du Film announces Greece as Country of Honour for its 2027 market edition
LOCATIONS
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Shooting in Spain with Tax Incentives and Regional Production Support
locations
Shooting in Romania
film commissions
Dallas Film Commissioner Katie Schuck on Atonement by Reed Van Dyk
ARCHIVES
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Cannes Classic, the Golden Age of Future Cinema.
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Mnemonica launches the Manifesto for Digital Cinema Memory at the EFM
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Animaphix Audiovisual Memories Animation Meets Archives
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Cinema&Video International n.207
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