PRODUCTION

Breaking Bear Brings Big Star Power to Tubi’s Adult Animation Lineup

Interview with Maria Drandaki, producer of Titanic Ocean

Interview with Adrià Monés, producer of The End of It

Ting, interview with the producer Roberto Cavallini

Interview with producer Stefano Mutolo, Coordinator of the Derry Social Club

Turkish Micro Dramas are coming to Italy with İki Dakika Creative House

Sky Explores Barrow Grooming Scandal in Ellie Williams Documentary

Tornatore’s The First Dollar presented at NIAF

Filming begins for The Emperor’s Stone

Hannibal invades Cinecittà with Denzel Washington and Fuqua

Filming begins in Naples for Super Santos

Maradona’s transfer to Napoli at the Co-Pro Pitching Sessions

film commissions

The Turin set of The Last Days of Leonardo Revelli’s Only Son

Bellocchio will make a film about Marchionne

FINANCING

Puglia Region Allocates €5.45M to Apulia Film Fund 2026

€3 Million, One Woody Allen Movie: Inside Madrid’s Bet on Becoming Spain’s Next Production Hub

Canada Global Media Tech Fund Targets International Growth Markets

PRODUCTION

Immersive Focus From Venice to Toronto 2026

Public Money / Local Sets

3D Gaussian Splatting: A Brief Guide to the New Frontier of 3D Rendering

DISTRIBUTION

Italian Cinema Abroad: Made-in-Italy Films Across 28 Countries in 2025

Films To Buy in Venice and Toronto

The Invite Puts Comedy Back on the Big Screen

EVENTS

Venice Film Festival 2026 Just Broke Its Own Record

Venice Film Festival 2026: All the Winners of the 83rd Edition

39th Tokyo International Film Festival Unveils Official Poster by O Mipo

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LOCATIONS

Canada: Streamers’ Land

Albany

Saratoga

ARCHIVES

Cannes Classic, the Golden Age of Future Cinema.

Mnemonica launches the Manifesto for Digital Cinema Memory at the EFM

Animaphix Audiovisual Memories Animation Meets Archives

THE MAGAZINE

Cinema&Video International n.208

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