{"id":9520,"date":"2015-05-14T16:46:45","date_gmt":"2015-05-14T16:46:45","guid":{"rendered":"https:\/\/cinema.video\/?p=9520"},"modified":"2026-04-10T03:31:15","modified_gmt":"2026-04-10T01:31:15","slug":"marchedeep-green","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/marchedeep-green","title":{"rendered":"MARCHE Deep Green"},"content":{"rendered":"<p>Landscape has nothing romantic about it, a landscape strikes us due to its prehistoric appearance, for what it stirs in our innermost selves\u201d.<br \/>\nThe definition comes from Werner Herzog; <strong>Anna Olivucci,<\/strong> head of the <strong>Marche Film Commission<\/strong>, has made it her own and quotes it when she comments on the imminent filming in her region, of \u201cSar\u00e0 per un\u2019altra volta\u201d, a short that has a lot to do with the landscape, given that it is set in the Lower Paleolithic Age.<\/p>\n<p>It is not a random quote because the movie, directed by <strong>Adriano Giannini<\/strong>, starring Pierfrancesco Favino, is the first project to be supported by the <strong>Marche Landscape Cine Fund<\/strong>, the special fund that aims to valorize the landscape though the language of cinema.<br \/>\nSet up by the region through a convention between the Town Planning and Landscape regional technical department and the Marche Film Commission, the Fund has a three year structure and available funds amounting to 78,000 Euros.<br \/>\nWith the entrepreneurial imagination that is the necessary baggage of every film commissioner (often forced to make a virtue of necessity), Anna Olivucci intercepted the demand to protect the landscape by articulating it through the ability of audiovisual language to root themes in the collective visual imagination.<br \/>\n\u201cWe were very proud\u201d, she tells Cinema &amp;\u00a0Video International, \u201cto take up the request to promote the landscape and to bring this beyond the making of a documentary, which would have been the most immediate destination, managing, by common assent, to move it towards a structural dimension with a three year Fund, where the landscape is linked to the value of theatrical narration\u201d.<\/p>\n<p>According to Olivucci, reaffirming the efficiency of regional promotion through audiovisuals represents a new path for the regional administration.\u201cYou can only produce good policies by starting with a focus on the regional identity\u201d.<\/p>\n<p>The unexpected public success of Martone\u2019s \u201cGiovane favoloso\u201d appears to prove the head of the Marche Film Commission right: it is a movie in which the Marche region renounces its usual characteristic of \u201caverageness\u201d (which has, in any case, allowed it to use its settings for many diverse stories over the years) in order to characterize itself as a landscape with an identity.<\/p>\n<p>It seems to be the ambition of Olivucci and her staff to continue in this direction and they are already working on the second project which will be supported by the Marche Landscape Cine Fund about which they have only revealed that it will be a comedy starring actors who are known and loved by the public at large and will be linked to the region\u2019s overall agricultural-food and wine brand.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>THE FILM\/A\u00a0MILLION YEARS AGO<br \/>\n\u201cI discovered \u201cSar\u00e0 per un\u2019altra volta\u201d at the Solinas Awards, where I was on the jury\u201d, says Adriano Giannini, the director of the film and its producer along with Andrea Vinci, with Ombla Production: \u201cThe screenplay by Sergio Suozzi really struck me but it subsequently failed to be selected for budget reasons. In fact, being a story set in the Lower Paleolithic, it required a lot of makeup work. I didn\u2019t want to film shorts anymore, but I had to make an exception for this story about monkey men, and I bought the idea so that I could re-work it\u201d.<\/strong><br \/>\n<strong>With a budget of 80,000 Euros, the short will be filmed in one week between June and July in the Marche, \u201cwhich is the ideal set\u201d, comments Giannini, \u201cwe found lots of sets there that had not been contaminated by human activity: caves, mountains, hundreds of hectares of land without any buildings\u201d. <\/strong><br \/>\n<strong>\u201cWe received a superb welcome from the Marche Film Commission\u201d, adds the producer Andrea Vinci, \u201cthey love this story as well and gave us all the necessary support. We will be filming in Sasso Simone and Simoncello, and probably in a cave in Genga, near Frasassi, a perfect location for the film, even though it was not simple to organize\u201d. <\/strong><br \/>\n<strong>The film stars Pierfrancesco Favino, and the cinematographer is Daniele Massaccesi, who has worked with great directors like Spielberg and Scorsese. <\/strong><br \/>\n<strong>\u201cWe will also use local resources\u201d, the producer is quick to point out: \u201cthe animal trainer who will help with the wolves, Claudio Mangini, is from the Marche\u201d.<\/strong><br \/>\n<strong>Set up in 2008, Ombla Production has already won a Silver Ribbon award for best short for \u201cIl gioco\u201d, Giannini\u2019s directorial debut, based on a story by Andrea Camilleri.<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Marche Landscape Cine Fund is the first regional fund in Italy aimed at valorizing the landscape through the language of cinema. Anna Olivucci, head of the Marche Film Commission tells us more<\/p>\n","protected":false},"author":3,"featured_media":9521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_wpcom_ai_launchpad_first_post":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[84],"class_list":["post-9520","post","type-post","status-publish","format-standard","has-post-thumbnail","category-senza-categoria","tag-focus-on-italy"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>MARCHE Deep Green - Cinema &amp; Video International<\/title>\n<meta name=\"description\" content=\"MARCHE Deep Green \u2013 marche deep green. Landscape has nothing romantic about it, a landscape strikes us due to its prehistoric appearance, for what it stirs\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinema.video\/it\/marchedeep-green\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MARCHE Deep Green\" \/>\n<meta property=\"og:description\" content=\"MARCHE Deep Green \u2013 marche deep green. 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Ha svolto attivit\u00e0 di consulenza alla comunicazione per istituzioni culturali e prestigiose aziende audiovisive. (Mifed-Fiera Milano; Rai Trade; Istituto Italiano di Scienze Umane). Le relazioni fra cinema e territorio, che da sempre occupano un posto privilegiato all\u2019interno di Cinema&amp;Video (con rubriche dedicate al cineturismo, alle attivit\u00e0 delle film commission, e ai fondi regionali all\u2019audiovisivo), lo hanno portato a fondare nel 2005, assieme ad Andrea Rocco ed Alessandro Signetto, il \u00a0Centro Studi su Audiovisivo e Territorio Luoghi&amp;Location, e a ideare a realizzare, assieme all\u2019operatore turistico Ville in Italia e a Carolina Mancini, Emotions in Italy, magazine online che si occupa di cultura, territorio ed Italian Lifestyle. Attraverso la IMPACT, azienda di cui \u00e8 titolare, edita Cinema&amp;Video International, e realizza servizi editoriali per conto terzi.","url":"https:\/\/cinema.video\/it\/author\/paolo"}]}},"jetpack_shortlink":"https:\/\/wp.me\/ph672m-2ty","jetpack_featured_media_url":"https:\/\/cinema.video\/wp-content\/uploads\/Adriano-Giannini-e-animal-trainer-marchigiano-Claudio-Mangini-Sopralluoghi-Santuario-MaceretoMC@Claudio_Mangini-e1431677467996.jpg","_links":{"self":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/9520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/comments?post=9520"}],"version-history":[{"count":1,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/9520\/revisions"}],"predecessor-version":[{"id":305875,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/9520\/revisions\/305875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/media\/9521"}],"wp:attachment":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/media?parent=9520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/categories?post=9520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/tags?post=9520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}