{"id":40731,"date":"2020-02-17T09:45:10","date_gmt":"2020-02-17T09:45:10","guid":{"rendered":"https:\/\/cinema.video\/?p=40731"},"modified":"2026-04-10T03:47:23","modified_gmt":"2026-04-10T01:47:23","slug":"women-are-the-winners-in-trieste","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste","title":{"rendered":"WOMEN ARE THE WINNERS IN TRIESTE"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

The Bulgarian movie \u201cWomen do cry\u201d by Mina Mileva and Vesela Kazakova<\/strong> of Activist 38<\/strong>, won the Film Center Serbia Development Award<\/em>, the main award at When<\/strong> East Meets West, <\/strong>the co-production forum organized by the Friuli Venezia Giulia Audiovisual Fund <\/strong>directed by Paolo Vidali, <\/strong>together with the Trieste Film Festival <\/strong>during which it was held from January 19 to 22. <\/p>\n\n\n\n

Two female directors and producers as strongly opposed at home (where they were known as the Demoniac Duo) as they are highly appreciated abroad, becoming multi-award winners at international festivals (after the premiere at Locarno and the FIPRESCI Award at the Warsaw Festival, in Trieste they were in competition with their \u201cCat in the wall\u201d which is being sold around the world by Italy\u2019s Coccinelle).<\/strong><\/p>\n\n\n\n

This is significant for an edition which, as Alessia Sonaglioni <\/strong>pointed out when presenting the EWA award<\/em> to the Armenian director Mery Aghakhanyan <\/strong>for \u201cIrene\u2019s world\u201d, \u201chas reached a gender balance, with women being involved in 12 projects out of 22\u201d.
An edition which, possibly not coincidentally, saw in the projects \u201ca very interesting gallery of male characters who are not afraid of revealing their weaknesses\u201d as the two winners point out.<\/p>\n\n\n\n

\u201cThe existence of the EWA award is certainly an incentive that has boosted the participation of women\u201d says Alessandro Gropplero<\/strong>, director of the market, \u201cbut this is placed within a general trend that has seen a decisive increase in the number of applications, from 91 at the first edition to almost 350 at this last one.\u201d<\/p>\n\n\n\n

A quantitative but, above all, qualitative increase and, adds Gropplero, \u201cif almost all the main awards went to female directors (in addition to those mentioned above, the Pop Up Film Residency Award <\/em>went to \u201cOrdinary Failures\u201d directed by Cristina Grosan<\/strong>, written by Kl\u00e1ra Vlas\u00e1kov\u00e1<\/strong>, and the Flow Post Production Award<\/em> to \u201cStrandzha\u201d, a documentary directed by Pepa Hristova<\/strong> and produced by Julia C\u00f6llen and Martichka Bozhilova<\/strong>), this was possibly due to the fact that they represented an interesting variety, ranging from drama to visionary, dystopic or catastrophic projects. We are very pleased with this year\u2019s proposals: maybe not everyone liked all the projects, but everyone certainly found one to fall in love with.\u201d<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

This is also confirmed by the very high number of requests for one-to-one meetings: \u201ceven before the forum began around 700 meetings were already booked by the professionals just on the basis of having consulted the catalogue.\u201d<\/p>\n\n\n\n

\u201cOur project received a very positive response here at WEMW, even from Italy where we think the opportunities for foreign productions are very interesting\u201d say Mileva and Kazakova.<\/p>\n\n\n\n

A RISE IN CO-PRODUCTIONS BETWEEN EAST AND WEST<\/strong>
Croatian producer Ankica Juri\u0107 Tili\u0107 <\/strong>from Kinorama, <\/strong>and German producer Titus Kreyenberg <\/strong>from Una Film <\/strong>spoke about the new opportunities for co-productions.
They were the protagonists of the panel dedicated to co-productions between Eastern and Western Europe over the last ten years, the period of time during which WEMW was born and became established and which, on the occasion of its tenth birthday, realized a report analyzing the evolutions of the sector through almost 500 co-production cases.
The increase in the latter has accelerated since 2014, also due to the growing participation in workshops and dedicated markets, and to the introduction of tax incentives and plans for minority co-productions in many countries, including Italy.<\/p>\n\n\n\n

\u201cA co-production entails an exchange of knowledge between the different approaches to the solution of that problem we call film\u201d states Kreyenberg who, like his Croatian colleague, says he is enthusiastic about the opportunities offered by the various training initiatives for producers that did not exist at the beginning of their careers.<\/p>\n\n\n\n

Last December, within the sphere of the European Film Awards, Tili\u0107 was assigned the Eurimages Co-production Award, in recognition of the decisive role played by co- productions in the promotion of international exchanges.<\/p>\n\n\n\n

\u201cI have greatly intensified my collaboration with Italy now, also thanks to the new law, with a film co- produced with Ascent<\/strong>, \u201cThe Down\u201d, by Dalibor Matanic, filmed last year in Aviano with the support of the Friuli Venezia Giulia Film Commission <\/strong>which will also be giving a contribution to \u201c\u201dIllyricum\u201d that Simon Bogojevic Narath will be filming next summer, in co-production with La Sarraz Pictures. \u201cLa ragazza ha volato\u201d by Wilma Labate (who wrote it together with the D\u2019Innoncenzo Brothers), was instead co-produced with Sarah Pennacchi\u2019s Tico Film<\/strong> in collaboration with Ines Vasiljevic and Gianluca Arcopinto<\/strong>.\u201d reveals Tili\u0107.<\/p>\n\n\n\n

Finally, she is working on a co-production, \u201cTraces\u201d, with Nightswim, <\/strong>a project that also involves Lithuania and Romania, hosted once again at WEMW after having taken part in the Midpoint Feature Launch program, <\/strong>the platform for up-and-coming talents from Central and Eastern Europe tackling their first or second work which, after having completed their one year journey, return to Trieste to meet potential financial and artistic partners.<\/p>\n\n\n\n

COLD OPEN&SHORTS: Trieste is increasingly MIDPOINT<\/strong>
The collaboration between When East meets West and Midpoint<\/strong> continues and is renewed with another two programs which are significative of the desire to follow the evolutions of the market with particular attention to the development of stories by young writers and the need for theatrical producers to equip themselves for the challenges represented by television series. <\/p>\n\n\n\n

This is exactly what Cold Open <\/strong>was dedicated to, a program of conferences, group sessions and individual consultations directed towards ten independent producers including Italians Nadia Trevisan from Nefertiti Film and Luigi Chimenti from Disparte<\/strong>.<\/p>\n\n\n\n

Midpoint Shorts <\/strong>is instead the new program dedicated to the latest generation of European filmmakers: WEMW hosted the second of two workshops dedicated to the development of four shorts.
These included \u201cTeam Building\u201d written and directed by the young Polish tal- ent Mateusz Pacewicz,<\/strong> who wrote the screenplay for \u201cCorpus Christi\u201d, Poland\u2019s Oscar nomination. Pacewicz describes the short as \u201ca black comedy on capitalism, romantic love and orgies. With the producer, Ludka Kierczak, we wanted to make this film outside the structures delegated to the production of shorts in Poland, to avoid losing the rights, and we knew we needed the international attention that is exactly what an event like this guaranteed us.\u201d<\/p>\n\n\n\n

FROM DEVELOPMENT TO POST PRODUCTION: THE WEMW JOURNEY<\/strong>
A part from the Midpoint programs, the attention to the development phase was also evidenced by WEMW hosting the announcement of the winners of the RE-ACT co-development fund<\/strong> which involves the Audiovisual Fund of the FVG<\/strong>, the Croatian Audiovisual Center<\/strong>, and the Slovenian Film Center<\/strong>, next year the Film Center Serbia <\/strong>will also come on board; and the Italy Baltic Development Award for Co-Production<\/strong> which was actually born at WEMW as an evolution of the Baltic Award and assigned by the MiBAC<\/strong> (Italian Ministry of Cultural Heritage and Activities), the Lithuanian Film Center, the Estonian Film Institute, and the National Film Center of Latvia<\/strong>.<\/p>\n\n\n\n

So, every year WEMW increasingly confirms its desire to set down roots in all the phases of the production process, from writing to post-production, and beyond.<\/p>\n\n\n\n

While the sessions of This is it <\/strong>(won by \u201cSpaccapietre\u201d by the De Serio Brothers<\/strong>, produced by La Sarraz Pictures<\/strong>) and First Cut Lab<\/strong>, were already dedicated to projects in an advanced state of production or post- production, the evolution of the latter has led to the creation of First Cut Plus<\/strong>, realized in tandem with the Karlovy Vary International Film Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Bulgarian movie \u201cWomen do cry\u201d by Mina Mileva and Vesela Kazakova of Activist 38, won the Film Center Serbia Development Award, the main award at When East Meets West, the co-production forum organized by the Friuli Venezia Giulia Audiovisual Fund directed by Paolo Vidali, together with the Trieste Film Festival during which it was […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_wpcom_ai_launchpad_first_post":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[84],"class_list":["post-40731","post","type-post","status-publish","format-standard","category-senza-categoria","tag-focus-on-italy"],"yoast_head":"\nWOMEN ARE THE WINNERS IN TRIESTE - Cinema & Video International<\/title>\n<meta name=\"description\" content=\"WOMEN ARE THE WINNERS IN TRIESTE \u2013 women are the winners in trieste. The Bulgarian movie \u201cWomen do cry\u201d by Mina Mileva and Vesela Kazakova of Activist\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"WOMEN ARE THE WINNERS IN TRIESTE\" \/>\n<meta property=\"og:description\" content=\"WOMEN ARE THE WINNERS IN TRIESTE \u2013 women are the winners in trieste. The Bulgarian movie \u201cWomen do cry\u201d by Mina Mileva and Vesela Kazakova of Activist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste\" \/>\n<meta property=\"og:site_name\" content=\"Cinema & Video International\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/CinemaVideoInternational\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-02-17T09:45:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-10T01:47:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinema.video\/wp-content\/uploads\/rigore-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"868\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Carolina Mancini\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Carolina Mancini\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste\"},\"author\":{\"name\":\"Carolina Mancini\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#\\\/schema\\\/person\\\/d5479fad8d0f2360000eb4aab6bb6e5d\"},\"headline\":\"WOMEN ARE THE WINNERS IN TRIESTE\",\"datePublished\":\"2020-02-17T09:45:10+00:00\",\"dateModified\":\"2026-04-10T01:47:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste\"},\"wordCount\":1223,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/rigore-1-150x150.jpg\",\"keywords\":[\"Focus on italy\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste\",\"url\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste\",\"name\":\"WOMEN ARE THE WINNERS IN TRIESTE - Cinema & Video International\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/rigore-1-150x150.jpg\",\"datePublished\":\"2020-02-17T09:45:10+00:00\",\"dateModified\":\"2026-04-10T01:47:23+00:00\",\"description\":\"WOMEN ARE THE WINNERS IN TRIESTE \u2013 women are the winners in trieste. The Bulgarian movie \u201cWomen do cry\u201d by Mina Mileva and Vesela Kazakova of Activist\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste#primaryimage\",\"url\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/rigore-1-150x150.jpg\",\"contentUrl\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/rigore-1-150x150.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/women-are-the-winners-in-trieste#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/cinema.video\\\/it\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"WOMEN ARE THE WINNERS IN TRIESTE\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#website\",\"url\":\"https:\\\/\\\/cinema.video\\\/it\",\"name\":\"Cinema & Video International\",\"description\":\"Film & Audiovisual B2B Industry Trade Platform Magazine\",\"publisher\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it#organization\"},\"alternateName\":\"Cinema & Video\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/cinema.video\\\/it?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#organization\",\"name\":\"Cinema & Video\",\"url\":\"https:\\\/\\\/cinema.video\\\/it\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/CinemVideo_LogoBlack.png\",\"contentUrl\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/CinemVideo_LogoBlack.png\",\"width\":1336,\"height\":224,\"caption\":\"Cinema & Video\"},\"image\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/CinemaVideoInternational\\\/\",\"https:\\\/\\\/www.instagram.com\\\/cinemaevideointernational\\\/\",\"https:\\\/\\\/it.linkedin.com\\\/company\\\/cinema-video-international\"],\"description\":\"Media Consulting & Marketing Agency\",\"email\":\"hello@darostudio.com\",\"legalName\":\"DARO studio LLC\",\"foundingDate\":\"2021-02-16\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"1\",\"maxValue\":\"10\"},\"publishingPrinciples\":\"https:\\\/\\\/cinema.video\\\/about\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#\\\/schema\\\/person\\\/d5479fad8d0f2360000eb4aab6bb6e5d\",\"name\":\"Carolina Mancini\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d4758965c5e8730dbaaa7131a628547771a26c1e5bf14fe323d96f8246a62baf?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d4758965c5e8730dbaaa7131a628547771a26c1e5bf14fe323d96f8246a62baf?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d4758965c5e8730dbaaa7131a628547771a26c1e5bf14fe323d96f8246a62baf?s=96&d=mm&r=g\",\"caption\":\"Carolina Mancini\"},\"url\":\"https:\\\/\\\/cinema.video\\\/it\\\/author\\\/carolin\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"WOMEN ARE THE WINNERS IN TRIESTE - Cinema & Video International","description":"WOMEN ARE THE WINNERS IN TRIESTE \u2013 women are the winners in trieste. The Bulgarian movie \u201cWomen do cry\u201d by Mina Mileva and Vesela Kazakova of Activist","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste","og_locale":"it_IT","og_type":"article","og_title":"WOMEN ARE THE WINNERS IN TRIESTE","og_description":"WOMEN ARE THE WINNERS IN TRIESTE \u2013 women are the winners in trieste. The Bulgarian movie \u201cWomen do cry\u201d by Mina Mileva and Vesela Kazakova of Activist","og_url":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste","og_site_name":"Cinema & Video International","article_publisher":"https:\/\/www.facebook.com\/CinemaVideoInternational\/","article_published_time":"2020-02-17T09:45:10+00:00","article_modified_time":"2026-04-10T01:47:23+00:00","og_image":[{"width":1300,"height":868,"url":"https:\/\/cinema.video\/wp-content\/uploads\/rigore-1.jpg","type":"image\/jpeg"}],"author":"Carolina Mancini","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Carolina Mancini","Tempo di lettura stimato":"7 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste#article","isPartOf":{"@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste"},"author":{"name":"Carolina Mancini","@id":"https:\/\/cinema.video\/it#\/schema\/person\/d5479fad8d0f2360000eb4aab6bb6e5d"},"headline":"WOMEN ARE THE WINNERS IN TRIESTE","datePublished":"2020-02-17T09:45:10+00:00","dateModified":"2026-04-10T01:47:23+00:00","mainEntityOfPage":{"@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste"},"wordCount":1223,"commentCount":0,"publisher":{"@id":"https:\/\/cinema.video\/it#organization"},"image":{"@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste#primaryimage"},"thumbnailUrl":"https:\/\/cinema.video\/wp-content\/uploads\/rigore-1-150x150.jpg","keywords":["Focus on italy"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste","url":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste","name":"WOMEN ARE THE WINNERS IN TRIESTE - Cinema & Video International","isPartOf":{"@id":"https:\/\/cinema.video\/it#website"},"primaryImageOfPage":{"@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste#primaryimage"},"image":{"@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste#primaryimage"},"thumbnailUrl":"https:\/\/cinema.video\/wp-content\/uploads\/rigore-1-150x150.jpg","datePublished":"2020-02-17T09:45:10+00:00","dateModified":"2026-04-10T01:47:23+00:00","description":"WOMEN ARE THE WINNERS IN TRIESTE \u2013 women are the winners in trieste. The Bulgarian movie \u201cWomen do cry\u201d by Mina Mileva and Vesela Kazakova of Activist","breadcrumb":{"@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste#primaryimage","url":"https:\/\/cinema.video\/wp-content\/uploads\/rigore-1-150x150.jpg","contentUrl":"https:\/\/cinema.video\/wp-content\/uploads\/rigore-1-150x150.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/cinema.video\/it\/women-are-the-winners-in-trieste#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/cinema.video\/it"},{"@type":"ListItem","position":2,"name":"WOMEN ARE THE WINNERS IN TRIESTE"}]},{"@type":"WebSite","@id":"https:\/\/cinema.video\/it#website","url":"https:\/\/cinema.video\/it","name":"Cinema & Video International","description":"Film & Audiovisual B2B Industry Trade Platform Magazine","publisher":{"@id":"https:\/\/cinema.video\/it#organization"},"alternateName":"Cinema & Video","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinema.video\/it?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/cinema.video\/it#organization","name":"Cinema & Video","url":"https:\/\/cinema.video\/it","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/cinema.video\/it#\/schema\/logo\/image\/","url":"https:\/\/cinema.video\/wp-content\/uploads\/2026\/04\/CinemVideo_LogoBlack.png","contentUrl":"https:\/\/cinema.video\/wp-content\/uploads\/2026\/04\/CinemVideo_LogoBlack.png","width":1336,"height":224,"caption":"Cinema & Video"},"image":{"@id":"https:\/\/cinema.video\/it#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/CinemaVideoInternational\/","https:\/\/www.instagram.com\/cinemaevideointernational\/","https:\/\/it.linkedin.com\/company\/cinema-video-international"],"description":"Media Consulting & Marketing Agency","email":"hello@darostudio.com","legalName":"DARO studio LLC","foundingDate":"2021-02-16","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"1","maxValue":"10"},"publishingPrinciples":"https:\/\/cinema.video\/about"},{"@type":"Person","@id":"https:\/\/cinema.video\/it#\/schema\/person\/d5479fad8d0f2360000eb4aab6bb6e5d","name":"Carolina Mancini","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d4758965c5e8730dbaaa7131a628547771a26c1e5bf14fe323d96f8246a62baf?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d4758965c5e8730dbaaa7131a628547771a26c1e5bf14fe323d96f8246a62baf?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d4758965c5e8730dbaaa7131a628547771a26c1e5bf14fe323d96f8246a62baf?s=96&d=mm&r=g","caption":"Carolina Mancini"},"url":"https:\/\/cinema.video\/it\/author\/carolin"}]}},"jetpack_shortlink":"https:\/\/wp.me\/ph672m-aAX","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/40731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/comments?post=40731"}],"version-history":[{"count":1,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/40731\/revisions"}],"predecessor-version":[{"id":307654,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/40731\/revisions\/307654"}],"wp:attachment":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/media?parent=40731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/categories?post=40731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/tags?post=40731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}