{"id":37365,"date":"2019-05-09T16:49:02","date_gmt":"2019-05-09T16:49:02","guid":{"rendered":"https:\/\/cinema.video\/?p=37365"},"modified":"2026-04-10T03:44:19","modified_gmt":"2026-04-10T01:44:19","slug":"cannes-notre-dame-du-cinema-2","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/cannes-notre-dame-du-cinema-2","title":{"rendered":"CANNES Notre Dame du Cinema"},"content":{"rendered":"\n

READ ALSO:<\/em><\/p>\n\n\n\n

PRODUCERS ON THE MOVE IS 20 YEARS OLD<\/a>
60TH ANNIVERSARY FOR THE OLDEST FILM MARKET<\/a>
MEDIA\/WOMEN AND CREATIVITY<\/a>
FOUR MOVIES FOR THE TORINO FILM LAB<\/a><\/strong><\/p>\n\n\n\n

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The 72nd Cannes Film Festival <\/strong>opens on May 14th with \u201cThe Dead don\u2019t die\u201d, the new movie by Jim Jarmusch: the title could also be an affectionate epitaph-caption to this year\u2019s poster dedicated to the great French filmmaker Agnes Varda who recently passed away. <\/p>\n\n\n\n

The horror comedy in which Bill Murray and Adam Driver hunt for zombies will be released in French movie theaters concomitantly with its presentation on La Croisette.
The protagonists will be flanked by a stellar cast including Tilda Swinton, Chlo\u00eb Sevigny, Steve Buscemi, Tom Waits and Iggy Pop.
The festival will also star a music idol, Elton John, portrayed by Dexter Fletcher in \u201cRocket Man\u201d and the Out of Competition <\/em>section features another legend, this time from the world of soccer, \u201cDiego Maradona\u201d by Afis Kapadia.
The procession of legends continues with Alain Delon who will be celebrated by the Festival with an Honorary Palme D\u2019Or.<\/p>\n\n\n\n

Lots of habitu\u00e9s of La Croisette will be returning to the competition, from big names (like Quentin Tarantino with \u201cOnce Upon a Time in Hollywood\u201d Pedro Almod\u00f3var with \u201cDolor y Gloria\u201d; the Dardenne Brothers with \u201cE Jeune Ahmed\u201d; Ken Loach, with \u201cSorry we missed you\u201d; Xavier Dolan with \u201cMatthias et Maxime\u201d; Terence Malick with \u201cA Hidden Life\u201d), to names that are less well-known to the general public but are dear to the Festival such as the Romanian Corneliu Porumboiu (\u201cThe Whistlers\u201d), the Palestinian Elia Suleiman (\u201cIt must be Heaven\u201d), the Austrian Jessica Hausner (\u201cLittle Joe\u201d), and the Korean Bong Joon- ho (\u201cGisaengchung\u201d- Parasite).<\/p>\n\n\n\n

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Italy will be in competition with \u201cThe Traitor\u201d by Marco Bellocchio<\/strong> who returns to Cannes three years after \u201cSweet Dreams\u201d which was presented at the Quinzaine des R\u00e9alisateurs (Directors\u2019 Fortnight) <\/em>in 2016.
The film focuses on the figure of Tommaso Buscetta, an intimate tale studded with vendettas and betrayals in which the human story is \u201cimmersed within a well-defined historical and political context that fits into the furrow of civil cinema of which Bellocchio remains one of the masters\u201d, declares Paolo Del Brocco<\/strong>, CEO of Rai Cinema<\/strong> which will be distributing the movie in Italy on May 23rd, the anniversary of the Capaci Massacre in which Giovanni Falcone lost his life.
\u201cThe Traitor\u201d is produced by Ibc Movie \u2013 Kavac Film with Rai Cinema, in coproduction with Match Factory Productions (Germany) which will also handle the international sales, Ad Vitam Production (France) and Guallane Entretenimento (Brazil). <\/p>\n\n\n\n

Another \u201cTommaso\u201d provides the title of the movie that Abel Ferrara<\/strong> filmed in Rome (produced by Simila(r) and Vivo Film) starring William DeFoe, which will be presented among the Special Screenings, together with, amongst others, \u201cFamily Romance, LLC\u201d by Werner Herzog.
DeFoe will also be present in the Quinzaine des R\u00e9alisateurs<\/em>, alongside Robert Patterson in \u201cThe Lighthouse\u201d by Robert Eggers.<\/p>\n\n\n\n

There are only four women in competition: in addition to the already mentioned Hausner, these are three young French filmmakers, all of whom have already passed through Cannes in one way or another: Justine Triet with \u201cSybil\u201d, C\u00e9line Sciamma with \u201cPortrait de la jeune fille en feu\u201d and Mati Diop with \u201cAtlantique\u201d.
There is also a first work in competition, the debut of the director from Mali Ladj Ly, \u201cLes Mis\u00e9rables\u201d. <\/p>\n\n\n\n

Un Certain Regard <\/em>features total of six directing debuts including \u201cPort Authority\u201d by the US director Danielle Lessovitz who attended the Torino Film Lab <\/strong>in 2016 when the director and his French producer, Virginie Lacombe of Madeleine Films, took part in the Feature- Lab program.
During the TFL Meeting Event 2016, the TorinoFilm- Lab\u2019s coproduction forum, the film received the support of the TFL Co-Production Fund (\u20ac50,000) dedicated to coproductions between European and international producers which is provided thanks to the European Union\u2019s Creative Europe \u2013 MEDIA sub-program.
The movie is, in fact, coproduced by the production house of Martin Scorsese, Sikelia Productions (USA) and its partner RT Features (Brazil), who together launched a production fund in support of emerging directors.
This also marks the first investment by the MUBI streaming service. The international sales will be handled by MK2.<\/p>\n\n\n\n

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Another italian presence: the animation film \u201c La fameuse Invasion des Ours en Sicile \u201d by Lorenzo Mattotti<\/strong>, produced by France\u2019s Prima Linea with the Italian Indigo Film<\/strong>, Rai Cinema has been selected at the last minute for Un certain Regard<\/em>: great visibility for this movie which has already been selected for the Annecy Festival to be held in June. <\/p>\n\n\n\n

In Un Certain Regard <\/em>we also find many filmmakers who are dear to Cannes such as Bruno Dumont with \u201cJeanne\u201d, Oliver Laxe with \u201cO que arde\u201d, Karim A\u00efnouz with \u201cA Vida Invis\u00edvel de Eur\u00eddice Gusm\u00e3o\u201d and the young Kantemir Balagov who returns to Cannes with his second work \u201cDylda\u201d.<\/p>\n\n\n\n

They will be judged by a jury led by the Lebanese filmmaker Nadine Labaki who last year won the Jury Prize with \u201cCapharnaum\u201d.
The president of the competition jury will instead be Alejandro Gonzales I\u00f1\u00e1rritu. <\/p>\n\n\n\n

We find another piece of Italy in the Quinzaine des R\u00e9alisateurs <\/em>which hosts the special screening of the medium-length movie by Luca Guadagnino \u201cStaggering Girl\u201d starring Julianne Moore and Alba Rorhwacher, produced by IBLAfilm Production with Rai Cinema (there will also be a special screening of \u201cRed 11\u201d by Robert Rodriguez), and the short \u201cQuello che verr\u00e0 \u00e8 solo una promessa\u201d by Flartform<\/strong>, a coproduction between Italy, Netherlands and New Zealand (Dugon Films, Serious Film, Blueskin Films, Rai Cinema<\/strong>, with the contribution of the MiBAC<\/strong> (Italian Ministry of Cultural Heritage and Activities), and the support of the Ministero dell\u2019Ambiente della Tutela del Territorio e del Mare- Ministry of the Environment, Protection of the Territory and the Sea, and the Netherland Film Fund<\/strong>).<\/p>\n\n\n\n

This is also the first year that this non competitive section organized by the Soci\u00e9t\u00e9 des r\u00e9alisateurs de films is guided by the Italian Paolo Moretti <\/strong>who, in line with previous editions, has built a selection which features an abundance of up-and-coming directors.
They are joined by the famous faces of Lav Diaz (\u201cHang Upa\u201d \u2013 The Halt), Takashi Miike (\u201cHaysukoi\u201d- First Love) and Lech Kowalski (\u201cOn Va Tout P\u00e9ter\u201d- Blow It to Bits).<\/p>\n\n\n\n

Who knows whether the independence of this section from the festival and its claimed freedom of thought will be sufficient to avoid the controversy surrounding the presence of a movie distributed by Netflix: \u201cWounds\u201d, starring Dakota Johnson and Armie Hammer, the second work by the British-Iranian director Babak Anvari, which already premiered at Sundance.
It is a psychological horror, like the previous \u201cUnder the Shadows\u201d, which also passed through Sundance and was acquired by Netflix. <\/p>\n\n\n\n

And finally there will be a tribute to a maestro of horror, John Carpenter<\/strong>, who will receive the career Carrosse d\u2019Or at the Quinzaine<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

READ ALSO: PRODUCERS ON THE MOVE IS 20 YEARS OLD60TH ANNIVERSARY FOR THE OLDEST FILM MARKETMEDIA\/WOMEN AND CREATIVITYFOUR MOVIES FOR THE TORINO FILM LAB The 72nd Cannes Film Festival opens on May 14th with \u201cThe Dead don\u2019t die\u201d, the new movie by Jim Jarmusch: the title could also be an affectionate epitaph-caption to this year\u2019s poster […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_wpcom_ai_launchpad_first_post":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[84],"class_list":["post-37365","post","type-post","status-publish","format-standard","category-senza-categoria","tag-focus-on-italy"],"yoast_head":"\nCANNES Notre Dame du Cinema - Cinema & Video International<\/title>\n<meta name=\"description\" content=\"CANNES Notre Dame du Cinema \u2013 cannes notre dame du cinema. 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