{"id":36721,"date":"2019-04-02T14:43:19","date_gmt":"2019-04-02T14:43:19","guid":{"rendered":"https:\/\/cinema.video\/?p=36721"},"modified":"2026-04-10T03:43:34","modified_gmt":"2026-04-10T01:43:34","slug":"cultural-locations-good-practices","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/cultural-locations-good-practices","title":{"rendered":"CULTURAL LOCATIONS Good practices"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg\" alt=\"\" class=\"wp-image-36537\" width=\"286\" height=\"190\" srcset=\"https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg 700w, https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg 300w\" sizes=\"auto, (max-width: 286px) 100vw, 286px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The valorization of our country\u2019s cultural heritage through cinema and audiovisuals is a possible yet very demanding mission. This topic was covered last March in Rome at the seminar entitled \u201cCultural and audiovisual locations: instruments of valorization, State-regional partnerships and good practices\u201d, an event that was part of the official calendar of&nbsp;<strong>Open Administration Week&nbsp;<\/strong>organized by the&nbsp;<strong>Department of Public Administration<\/strong>. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The meeting \u2013 organized by\u00a0<strong>Italy for Movies<\/strong>, the national locations and audiovisual production incentives portal, and moderated by <strong>Lorenzo Canova<\/strong> &#8211; aimed to open up a debate between central public administration and the Film Commissions as regional interfaces with members of the trade. <br>The order of the day included the need to establish procedures that could facilitate the relationship between the world of audio- visual production and the people responsible for cultural sites. <br>While there can be no valorization without protection, as the new Cinema DG\u00a0<strong>Mario Turretta\u00a0<\/strong>points out (boosted by his valuable experience at the regional direction of the Piedmont Cultural and Landscape Assets Department and at the Consortium of regional Savoyan residences in Piedmont), and cultural valorization needs to proceed in step with certain economic valorization criteria (\u201cWe are working on a draft table of charges concerning the granting of the use of assets with minimum economic conditions from which it is possible to derogate\u201d, announces\u00a0<strong>Antonio Tarasco\u00a0<\/strong>of the DG Museums), it is necessary, the speakers agreed, to harmonize the requests in order to provide clear rules to be presented to audiovisual operators.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This is the task of the work group created from the&nbsp;<strong>National Coordination Round Table of Film Commissions&nbsp;<\/strong>consisting of the <strong>Roma Lazio Film Commission<\/strong>, the&nbsp;<strong>Film Commission Regione Campania<\/strong>, and the&nbsp;<strong>Film Commission Torino Piemonte<\/strong>. <br><strong>Cristina Priarone<\/strong>, director of the Roma Lazio Film Commission, clarified the work group\u2019s objectives: transparency of the interface and availability of the assets, tariffs modulated according to the entity of the client, rapid response times. The aim is to give clear, usable and transmissible references.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She then repeated the need to work on the widespread cataloging of the sites that was not limited to big attractions but also valorized small villages and, above all, \u201cwould enter into the audiovisual language\u201d, i.e. mapping the places in a technical way.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cristina Priarone contributes her experience with the Roma Lazio Film Commission which has already been already involved, for several years, in structuring the offering of public sites in the region. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With a very concrete approach, Italy for Movies relaunched the recognition given by the&nbsp;<strong>MiBAC&nbsp;<\/strong>(Italian Ministry of Cultural Heritage and Activities) to the search for good practices and models to propose to the vast galaxy of organizations that manage Italy\u2019s artistic and cultural patrimony. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One eloquent piece of information: the patrimony managed by the MiBAC represents just 8.8% of the Italian public and private archaeological museums (478 out of 4889). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With a similarly concrete approach&nbsp;<strong>Maria Giuseppina Troccoli&nbsp;<\/strong>and <strong>Bruno Zambardino&nbsp;<\/strong>(DG Cinema) have announced the imminent translation of Italy for Movies also into Chinese.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The valorization of our country\u2019s cultural heritage through cinema and audiovisuals is a possible yet very demanding mission. This topic was covered last March in Rome at the seminar entitled \u201cCultural and audiovisual locations: instruments of valorization, State-regional partnerships and good practices\u201d, an event that was part of the official calendar of&nbsp;Open Administration Week&nbsp;organized by [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_wpcom_ai_launchpad_first_post":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[84],"class_list":["post-36721","post","type-post","status-publish","format-standard","category-senza-categoria","tag-focus-on-italy"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>CULTURAL LOCATIONS Good practices - Cinema &amp; Video International<\/title>\n<meta name=\"description\" content=\"CULTURAL LOCATIONS Good practices \u2013 cultural locations good practices. The valorization of our country\u2019s cultural heritage through cinema and audiovis\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinema.video\/it\/cultural-locations-good-practices\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CULTURAL LOCATIONS Good practices\" \/>\n<meta property=\"og:description\" content=\"CULTURAL LOCATIONS Good practices \u2013 cultural locations good practices. The valorization of our country\u2019s cultural heritage through cinema and audiovis\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinema.video\/it\/cultural-locations-good-practices\" \/>\n<meta property=\"og:site_name\" content=\"Cinema &amp; Video International\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/CinemaVideoInternational\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-02T14:43:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-10T01:43:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"467\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Paolo di Maira\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Paolo di Maira\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices\"},\"author\":{\"name\":\"Paolo di Maira\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#\\\/schema\\\/person\\\/f8104a60677fb10fe493beb104706772\"},\"headline\":\"CULTURAL LOCATIONS Good practices\",\"datePublished\":\"2019-04-02T14:43:19+00:00\",\"dateModified\":\"2026-04-10T01:43:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices\"},\"wordCount\":516,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/Il-Giovane-Favoloso_2-1.jpg\",\"keywords\":[\"Focus on italy\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices\",\"url\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices\",\"name\":\"CULTURAL LOCATIONS Good practices - Cinema &amp; Video International\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/Il-Giovane-Favoloso_2-1.jpg\",\"datePublished\":\"2019-04-02T14:43:19+00:00\",\"dateModified\":\"2026-04-10T01:43:34+00:00\",\"description\":\"CULTURAL LOCATIONS Good practices \u2013 cultural locations good practices. The valorization of our country\u2019s cultural heritage through cinema and audiovis\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices#primaryimage\",\"url\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/Il-Giovane-Favoloso_2-1.jpg\",\"contentUrl\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/Il-Giovane-Favoloso_2-1.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it\\\/cultural-locations-good-practices#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/cinema.video\\\/it\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"CULTURAL LOCATIONS Good practices\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#website\",\"url\":\"https:\\\/\\\/cinema.video\\\/it\",\"name\":\"Cinema & Video International\",\"description\":\"Film &amp; Audiovisual B2B Industry Trade Platform Magazine\",\"publisher\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it#organization\"},\"alternateName\":\"Cinema & Video\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/cinema.video\\\/it?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#organization\",\"name\":\"Cinema & Video\",\"url\":\"https:\\\/\\\/cinema.video\\\/it\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/CinemVideo_LogoBlack.png\",\"contentUrl\":\"https:\\\/\\\/cinema.video\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/CinemVideo_LogoBlack.png\",\"width\":1336,\"height\":224,\"caption\":\"Cinema & Video\"},\"image\":{\"@id\":\"https:\\\/\\\/cinema.video\\\/it#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/CinemaVideoInternational\\\/\",\"https:\\\/\\\/www.instagram.com\\\/cinemaevideointernational\\\/\",\"https:\\\/\\\/it.linkedin.com\\\/company\\\/cinema-video-international\"],\"description\":\"Media Consulting & Marketing Agency\",\"email\":\"hello@darostudio.com\",\"legalName\":\"DARO studio LLC\",\"foundingDate\":\"2021-02-16\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"1\",\"maxValue\":\"10\"},\"publishingPrinciples\":\"https:\\\/\\\/cinema.video\\\/about\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/cinema.video\\\/it#\\\/schema\\\/person\\\/f8104a60677fb10fe493beb104706772\",\"name\":\"Paolo di Maira\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/771f2f1ed52288870c094eaf85ff9ee49655ec12aa7e7832c3b3e4b8f5afdf10?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/771f2f1ed52288870c094eaf85ff9ee49655ec12aa7e7832c3b3e4b8f5afdf10?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/771f2f1ed52288870c094eaf85ff9ee49655ec12aa7e7832c3b3e4b8f5afdf10?s=96&d=mm&r=g\",\"caption\":\"Paolo di Maira\"},\"description\":\"Paolo Di Maira, giornalista, ha fondato Cinema&amp;Video International nel 1994, portando nella nuova testata l\u2019esperienza e le risorse accumulate nella direzione di Nuovo Cinema Europeo, rivista storica dei professionisti del settore, pubblicata fino al 1993. Ha svolto attivit\u00e0 di consulenza alla comunicazione per istituzioni culturali e prestigiose aziende audiovisive. (Mifed-Fiera Milano; Rai Trade; Istituto Italiano di Scienze Umane). Le relazioni fra cinema e territorio, che da sempre occupano un posto privilegiato all\u2019interno di Cinema&amp;Video (con rubriche dedicate al cineturismo, alle attivit\u00e0 delle film commission, e ai fondi regionali all\u2019audiovisivo), lo hanno portato a fondare nel 2005, assieme ad Andrea Rocco ed Alessandro Signetto, il \u00a0Centro Studi su Audiovisivo e Territorio Luoghi&amp;Location, e a ideare a realizzare, assieme all\u2019operatore turistico Ville in Italia e a Carolina Mancini, Emotions in Italy, magazine online che si occupa di cultura, territorio ed Italian Lifestyle. Attraverso la IMPACT, azienda di cui \u00e8 titolare, edita Cinema&amp;Video International, e realizza servizi editoriali per conto terzi.\",\"url\":\"https:\\\/\\\/cinema.video\\\/it\\\/author\\\/paolo\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"CULTURAL LOCATIONS Good practices - Cinema &amp; Video International","description":"CULTURAL LOCATIONS Good practices \u2013 cultural locations good practices. The valorization of our country\u2019s cultural heritage through cinema and audiovis","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinema.video\/it\/cultural-locations-good-practices","og_locale":"it_IT","og_type":"article","og_title":"CULTURAL LOCATIONS Good practices","og_description":"CULTURAL LOCATIONS Good practices \u2013 cultural locations good practices. The valorization of our country\u2019s cultural heritage through cinema and audiovis","og_url":"https:\/\/cinema.video\/it\/cultural-locations-good-practices","og_site_name":"Cinema &amp; Video International","article_publisher":"https:\/\/www.facebook.com\/CinemaVideoInternational\/","article_published_time":"2019-04-02T14:43:19+00:00","article_modified_time":"2026-04-10T01:43:34+00:00","og_image":[{"width":700,"height":467,"url":"https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg","type":"image\/jpeg"}],"author":"Paolo di Maira","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Paolo di Maira","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices#article","isPartOf":{"@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices"},"author":{"name":"Paolo di Maira","@id":"https:\/\/cinema.video\/it#\/schema\/person\/f8104a60677fb10fe493beb104706772"},"headline":"CULTURAL LOCATIONS Good practices","datePublished":"2019-04-02T14:43:19+00:00","dateModified":"2026-04-10T01:43:34+00:00","mainEntityOfPage":{"@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices"},"wordCount":516,"commentCount":0,"publisher":{"@id":"https:\/\/cinema.video\/it#organization"},"image":{"@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices#primaryimage"},"thumbnailUrl":"https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg","keywords":["Focus on italy"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/cinema.video\/it\/cultural-locations-good-practices#respond"]}]},{"@type":"WebPage","@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices","url":"https:\/\/cinema.video\/it\/cultural-locations-good-practices","name":"CULTURAL LOCATIONS Good practices - Cinema &amp; Video International","isPartOf":{"@id":"https:\/\/cinema.video\/it#website"},"primaryImageOfPage":{"@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices#primaryimage"},"image":{"@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices#primaryimage"},"thumbnailUrl":"https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg","datePublished":"2019-04-02T14:43:19+00:00","dateModified":"2026-04-10T01:43:34+00:00","description":"CULTURAL LOCATIONS Good practices \u2013 cultural locations good practices. The valorization of our country\u2019s cultural heritage through cinema and audiovis","breadcrumb":{"@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinema.video\/it\/cultural-locations-good-practices"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices#primaryimage","url":"https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg","contentUrl":"https:\/\/cinema.video\/wp-content\/uploads\/Il-Giovane-Favoloso_2-1.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/cinema.video\/it\/cultural-locations-good-practices#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/cinema.video\/it"},{"@type":"ListItem","position":2,"name":"CULTURAL LOCATIONS Good practices"}]},{"@type":"WebSite","@id":"https:\/\/cinema.video\/it#website","url":"https:\/\/cinema.video\/it","name":"Cinema & Video International","description":"Film &amp; Audiovisual B2B Industry Trade Platform Magazine","publisher":{"@id":"https:\/\/cinema.video\/it#organization"},"alternateName":"Cinema & Video","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinema.video\/it?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/cinema.video\/it#organization","name":"Cinema & Video","url":"https:\/\/cinema.video\/it","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/cinema.video\/it#\/schema\/logo\/image\/","url":"https:\/\/cinema.video\/wp-content\/uploads\/2026\/04\/CinemVideo_LogoBlack.png","contentUrl":"https:\/\/cinema.video\/wp-content\/uploads\/2026\/04\/CinemVideo_LogoBlack.png","width":1336,"height":224,"caption":"Cinema & Video"},"image":{"@id":"https:\/\/cinema.video\/it#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/CinemaVideoInternational\/","https:\/\/www.instagram.com\/cinemaevideointernational\/","https:\/\/it.linkedin.com\/company\/cinema-video-international"],"description":"Media Consulting & Marketing Agency","email":"hello@darostudio.com","legalName":"DARO studio LLC","foundingDate":"2021-02-16","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"1","maxValue":"10"},"publishingPrinciples":"https:\/\/cinema.video\/about"},{"@type":"Person","@id":"https:\/\/cinema.video\/it#\/schema\/person\/f8104a60677fb10fe493beb104706772","name":"Paolo di Maira","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/771f2f1ed52288870c094eaf85ff9ee49655ec12aa7e7832c3b3e4b8f5afdf10?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/771f2f1ed52288870c094eaf85ff9ee49655ec12aa7e7832c3b3e4b8f5afdf10?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/771f2f1ed52288870c094eaf85ff9ee49655ec12aa7e7832c3b3e4b8f5afdf10?s=96&d=mm&r=g","caption":"Paolo di Maira"},"description":"Paolo Di Maira, giornalista, ha fondato Cinema&amp;Video International nel 1994, portando nella nuova testata l\u2019esperienza e le risorse accumulate nella direzione di Nuovo Cinema Europeo, rivista storica dei professionisti del settore, pubblicata fino al 1993. Ha svolto attivit\u00e0 di consulenza alla comunicazione per istituzioni culturali e prestigiose aziende audiovisive. (Mifed-Fiera Milano; Rai Trade; Istituto Italiano di Scienze Umane). Le relazioni fra cinema e territorio, che da sempre occupano un posto privilegiato all\u2019interno di Cinema&amp;Video (con rubriche dedicate al cineturismo, alle attivit\u00e0 delle film commission, e ai fondi regionali all\u2019audiovisivo), lo hanno portato a fondare nel 2005, assieme ad Andrea Rocco ed Alessandro Signetto, il \u00a0Centro Studi su Audiovisivo e Territorio Luoghi&amp;Location, e a ideare a realizzare, assieme all\u2019operatore turistico Ville in Italia e a Carolina Mancini, Emotions in Italy, magazine online che si occupa di cultura, territorio ed Italian Lifestyle. Attraverso la IMPACT, azienda di cui \u00e8 titolare, edita Cinema&amp;Video International, e realizza servizi editoriali per conto terzi.","url":"https:\/\/cinema.video\/it\/author\/paolo"}]}},"jetpack_shortlink":"https:\/\/wp.me\/ph672m-9yh","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/36721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/comments?post=36721"}],"version-history":[{"count":1,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/36721\/revisions"}],"predecessor-version":[{"id":307263,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/posts\/36721\/revisions\/307263"}],"wp:attachment":[{"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/media?parent=36721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/categories?post=36721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinema.video\/it\/wp-json\/wp\/v2\/tags?post=36721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}