{"id":309935,"date":"2026-04-09T09:39:10","date_gmt":"2026-04-09T07:39:10","guid":{"rendered":"https:\/\/cinema.video\/?p=309935"},"modified":"2026-04-10T10:25:16","modified_gmt":"2026-04-10T08:25:16","slug":"leredita-del-reale-e-laudacia-della-coproduzione-congo-boy-illumina-un-certain-regard-al-festival-di-cannes-2026","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/leredita-del-reale-e-laudacia-della-coproduzione-congo-boy-illumina-un-certain-regard-al-festival-di-cannes-2026","title":{"rendered":"L\u2019Eredit\u00e0 del Reale e l’Audacia della Coproduzione: Congo Boy illumina Un Certain Regard al Festival di Cannes 2026"},"content":{"rendered":"\n

Mentre il sistema cinema interroga se stesso, l\u2019opera di Rafiki Fariala presentata a Cannes 79 edizione segna un punto di svolta per la collaborazione tra Italia, Francia e Africa. Un segnale di vitalit\u00e0 che parte dal cuore di Bangui per arrivare sulla Croisette.<\/strong><\/p>\n\n\n\n

Di fronte alla complessit\u00e0 del mercato audiovisivo contemporaneo, il cinema di scoperta torna a reclamare il suo spazio nel tempio della Cinefilia. “Congo Boy”<\/strong>, diretto da Rafiki Fariala<\/strong> e selezionato nella prestigiosa sezione Un Certain Regard<\/strong>, non \u00e8 solo un film, ma il manifesto di un\u2019industria che sa ancora guardare lontano, trasformando la necessit\u00e0 in virt\u00f9 artistica.<\/p>\n\n\n\n

Un\u2019estetica della resistenza<\/strong><\/p>\n\n\n\n

Scritto da Fariala insieme a Tommy Baron, con la collaborazione di Boris Lojkine, “Congo Boy” si muove sul confine sottile tra il coming-of-age<\/em> e il dramma sociale. La pellicola segue il diciassettenne Robert nel cuore di una Repubblica Centrafricana ferita, dove la musica non \u00e8 un semplice accessorio, ma un\u2019arma di emancipazione.<\/p>\n\n\n\n

L\u2019occhio di Fariala cattura l\u2019energia vitale di una generazione che non vuole essere definita solo dal conflitto, ma dalla propria voce creativa. La trasformazione di Robert nel suo alter ego artistico “Congo Boy” diventa cos\u00ec una metafora potente del cinema stesso: la capacit\u00e0 di reinventarsi per sopravvivere e brillare.<\/p>\n\n\n\n

Il Modello Italiano: Karta Film e Rai Cinema<\/strong><\/p>\n\n\n\n

L\u2019aspetto pi\u00f9 significativo per gli addetti ai lavori presenti sulla Croisette \u00e8 l\u2019architettura produttiva che sostiene l\u2019opera. “Congo Boy” \u00e8 il risultato di una sinergia sofisticata tra la francese Unit\u00e9, la centrafricana Makongo Films e l\u2019italiana Karta Film.<\/p>\n\n\n\n

Il coinvolgimento di Rai Cinema<\/strong> in questo progetto non \u00e8 casuale. In un periodo in cui la produzione nazionale affronta sfide strutturali, la scelta di investire su voci internazionali dirompenti dimostra una visione lungimirante:<\/p>\n\n\n\n

    \n
  1. Internazionalizzazione del Brand:<\/strong> posizionare il talento in progetti da Selezione Ufficiale rafforza il prestigio dell’industria nazionale ai tavoli delle vendite internazionali.<\/li>\n\n\n\n
  2. Qualit\u00e0 vs Quantit\u00e0:<\/strong> “Congo Boy” incarna il modello di cinema che Cannes predilige: autentico, visivamente ricercato e capace di intercettare il pubblico dei festival e delle sale d\u2019essai di tutto il mondo.<\/li>\n<\/ol>\n\n\n\n

    Perch\u00e9 “Congo Boy” \u00e8 il film da seguire a Cannes<\/strong><\/p>\n\n\n\n

    Il film arriva sulla Croisette con un pedigree produttivo impeccabile (Boris Lojkine e Caroline Nataf tra i produttori) e una narrazione che fonde l’urgenza del reale con un linguaggio visivo moderno.<\/p>\n\n\n\n

    In questo scenario, il successo di “Congo Boy” \u00e8 una risposta silenziosa ma decisa alle incertezze del settore: la dimostrazione che quando il talento incontra una struttura produttiva solida e internazionale, i confini geografici si annullano a favore della pura potenza dell’immagine.<\/p>\n\n\n\n

    Per ulteriori approfondimenti sulla selezione dei film a Cannes consulta l’articolo https:\/\/cinema.video\/svelata-la-selezione-del-festival-di-cannes-2026<\/a> <\/p>\n\n\n\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

    Mentre il sistema cinema interroga se stesso, l\u2019opera di Rafiki Fariala presentata a Cannes 79 edizione segna un punto di svolta per la collaborazione tra Italia, Francia e Africa. Un segnale di vitalit\u00e0 che parte dal cuore di Bangui per arrivare sulla Croisette. Di fronte alla complessit\u00e0 del mercato audiovisivo contemporaneo, il cinema di scoperta 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del Reale e l'Audacia della Coproduzione: Congo Boy illumina Un Certain Regard al Festival di Cannes 2026 - Cinema & Video International<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinema.video\/it\/leredita-del-reale-e-laudacia-della-coproduzione-congo-boy-illumina-un-certain-regard-al-festival-di-cannes-2026\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019Eredit\u00e0 del Reale e l'Audacia della Coproduzione: Congo Boy illumina Un Certain Regard al Festival di Cannes 2026\" \/>\n<meta property=\"og:description\" content=\"Mentre il sistema cinema interroga se stesso, l\u2019opera di Rafiki Fariala presentata a Cannes 79 edizione segna un punto di svolta per la collaborazione tra Italia, Francia e Africa. 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