{"id":301691,"date":"2026-02-23T13:32:52","date_gmt":"2026-02-23T12:32:52","guid":{"rendered":"https:\/\/cinema.video\/?p=301691"},"modified":"2026-04-10T04:12:05","modified_gmt":"2026-04-10T02:12:05","slug":"orso-doro-yellow-letters","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/orso-doro-yellow-letters","title":{"rendered":"Orso d’Oro a Yellow Letters. Italia premiata con Nina Roza e On our Own"},"content":{"rendered":"\n

 E\u2019 andato a Yellow Letters<\/em><\/strong> (Gelbe Briefe<\/em>) di \u0130lker \u00c7atak<\/strong>, regista berlinese di origini turche (nominato all\u2019Oscar per La Sala Professori<\/em>) l\u2019Orso d\u2019Oro<\/strong> di questa 76\u00b0 Berlinale.<\/p>\n\n\n\n

Un\u2019edizione atipica, quella di quest\u2019anno, che, secondo i commenti di molti professionisti, non ha brillato per la qualit\u00e0 dei film, e in cui il festival \u00e8 stato accusato, con una lettera aperta firmata da filmmakers e attori legati alla Berlinale, fra cui Tilda Swinton e Javier Bardem,\u00a0di censurare gli artisti che si oppongono al continuo genocidio israeliano verso Gaza (il presidente di giuria, Wim Wenders,<\/strong> ha scelto di non commentare la situazione politica, affermando che \u201cil cinema \u00e8 il contrario della politica\u201d e lo stesso ha fatto l\u2019attrice Michelle Yeoh<\/strong>, che nella cerimonia di consegna dell\u2019Orso d\u2019Oro alla Carriera, ha detto \u201cmeglio non parlare di qualcosa che non conosce bene e concentrarsi sul cinema\u201d).\u00a0<\/p>\n\n\n\n

\"\u00a9
Yellow Letters \u00a9 Ella Knorz_ifProductions_Alamode Film<\/figcaption><\/figure>\n\n\n\n

La direttrice del festival, Tricia Tuttle<\/strong>, dopo aver risposto sulle pagine di Screen International alle accuse (leggi qui<\/strong><\/a>), ha ribadito, nel corso della cerimonia di premiazione, che \u201cle voci della Berlinale, possono essere contraddittorie ma riflettono la diversit\u00e0 di prospettive. Un festival non risolve Ii conflitti mondiali ma pu\u00f2 dar spazio alla complessit\u00e0, all\u2019ascolto, all\u2019umanizzazione reciproca. Queste voci possono sembrare silenti, ma parlano attraverso il cinema.\u201d<\/p>\n\n\n\n

E il premio principale, in effetti, \u00e8 andato ad una storia che parla di repressione di una famiglia di artisti da parte dello Stato. Yellow Letters<\/em>, che in Italia sar\u00e0 distribuito da Lucky Red,<\/strong> ha vinto anche il Guild Film Prize.<\/strong><\/p>\n\n\n\n

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La Migliore Opera prima, premiata con il GWFF Best First Feature Award\u00a0<\/strong> del valore di 50 mila euro, \u00e8 la co-produzione algerino-francese Chronicles from the Siege<\/em><\/strong>, in gara nella sezione Perspektives,<\/em> diretta dal regista palestinese Abdallah AlKhatib<\/strong>. Il miglior corto \u00e8 il libanese Yawman ma walad <\/em><\/strong>(Someday a Child),<\/em>di Marie-Rose Osta,<\/strong> che ricordando il suo protagonista, bambino con superpoteri, ha detto: “in realt\u00e0 i bambini di Gaza, di tutta la Palestina e del mio Libano non hanno superpoteri per proteggerli dalle bombe israeliane”. (foto \u00a9 Richard H\u00fcbner<\/em>)<\/p>\n<\/div>

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La sostanziale assenza del cinema italiano, sottolineata a pi\u00f9 riprese, \u00e8 stata parzialmente\u00a0 smentita da due premi, di cui si devono ringraziare le co-produzioni. Nina Roza<\/em>,\u00a0<\/strong>scritto e diretto da\u00a0Genevi\u00e8ve Dulude-de\u00a0Celles<\/strong>, (regista e produttrice gi\u00e0 vincitrice del Crystal Bear al Festival di Berlino con il film\u00a0Une Colonie<\/em>nel 2019, nella foto di Alexander Janetzko<\/em>), ha vinto l\u2019Orso d\u2019Argento alla Migliore Sceneggiatura<\/strong>. Interpretato anche\u00a0da Chiara Caselli,<\/strong>\u00a0Nina Roza <\/em>\u00e8 una coproduzione internazionale di Colonelle Films (Canada), \u00a0Echo Bravo (Belgio), Ginger Light Films e Premiere Studio (Bulgaria) e dell’italiana\u00a0UMI Films<\/strong>\u00a0di\u00a0Lorenzo Fiuzzi<\/strong>\u00a0e\u00a0Bardo Tarantelli<\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n

Premiata anche Indyca<\/strong>, co-produttrice (con la rumena Libra Films<\/strong>) di De capul nostru <\/em><\/strong>(On Our Own<\/em>) di Tudor Cristian Jurgiu, sostenuto anche da Emilia- Romagna Film Commission <\/strong>(leggi qui<\/strong><\/a>): si \u00e8 aggiudicato il Cicae Art Cinema Award<\/strong> nella sezione Forum.<\/em><\/p>\n\n\n\n

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On our Own \u00a9 Lavinia Cioac\u0103<\/figcaption><\/figure>\n\n\n\n

\u00a0<\/strong>Il Gran premio della Giuria<\/strong>, l’Orso d’Argento \u00e8 andato a Kurtulu\u015f<\/em><\/strong> (Salvation<\/em><\/strong>) del regista Emin Alper,<\/strong> che ha ricordato i palestinesi di Gaza, gli iraniani, i curdi del Rojava e gli oppositori politici in Turchia: “non siete soli\u201d.<\/p>\n\n\n\n

L\u2019Orso d\u2019Argento <\/strong>\u00e8 per Queen at Sea <\/em><\/strong>di Laurence Hammer<\/strong>, che ha valso anche a Anna Calder-Marshall & Tom Courtenay <\/strong>l\u2019Orso d\u2019Argento per la migliore interpretazione non protagonista. Migliore Perfomance nel ruolo principale  \u00e8 invece quella di Sandra H\u00fcller,<\/strong> protagonista di Rose<\/em><\/strong> by Markus Schleinzer.<\/p>\n\n\n\n

Miglior Regista<\/strong> \u00e8 Grant Gee <\/strong>per il suo Everybody Digs Bill Evans<\/em><\/strong>, mentre l\u2019Orso d\u2019Argento per lo straordinario contributo artistico \u00e8 andato a Anna Fitch e Banker White<\/strong>, registi di Yo (Love is a Rebellious Bird)<\/em><\/strong>.<\/p>\n\n\n\n

Per la sezione Panorama<\/em>, il Cicae Art Cinema Award<\/strong>, \u00e8 andato al film coreano Staatsschutz <\/em><\/strong>(Prosecution<\/em>) di Faraz Shariat<\/strong>, che ha vinto anche il Premio del Pubblico <\/strong>e l\u2019Heiner Carow Prize<\/strong>.<\/p>\n\n\n\n

\"\"
Prosecution<\/em> \u00a9 Lotta Kilian \/ J\u00fcnglinge Film<\/figcaption><\/figure>\n\n\n\n

Il film premiato come Miglior Documentario<\/strong> (con 40 mila euro), If Pigeons Turned to Gold<\/em><\/strong> di Pepa Lubojacki<\/strong>, \u00e8 il vincitore anche del Caligari Prize<\/strong>. <\/p>\n\n\n\n

Premi doppi anche per due film di Generation KPlus<\/em> (il Crystal Bear della Giuria Internazionale \u00e8 andato a Feito Pipa<\/em><\/strong> (Gugu\u2019s World) <\/em>di Allan Debertonche,<\/strong> premiato come miglior film anche dalla Giuria dei Bambini, e entrambe le menzioni sono andate a Under the Wave off Little Dragon<\/em>di Luo Jian<\/strong>) e Generation 14Plus<\/em> (Chicas Tristes<\/em><\/strong> di Fernanda Tovar <\/strong>ha messo d\u2019accordo\u00a0 la Giuria del Giovani e quella Internazionale).<\/p>\n\n\n\n

I Teddy Awards<\/strong>: Best Feature Film a Iv\u00e1n & Hadoum<\/em><\/strong> di Ian de la Rosa<\/strong>; Best Documentary\/Essay Film a Barbara Forever<\/em><\/strong> di Brydie O\u2019Connor<\/strong>; Best Short Film a Taxi Moto<\/em><\/strong> di Ga\u00ebl Kamilindi.<\/strong><\/p>\n\n\n\n

Da sottolineare, che l\u2019Orso d\u2019Oro \u0130lker \u00c7atak era presente al mercato delle coproduzioni della Berlinale, con un progetto (The Granddaughter<\/em><\/strong>) al Co-Pro Series<\/strong> (leggi qui<\/strong><\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":"

“Le voci del festival possono sembrare silenti, ma parlano con il cinema ” ha detto la direttrice del Festival, Tricia Tuttle. Con la migliore opera prima a Chronicles from the Siege del regista palestinese Abdallah AlKhatib…<\/p>\n","protected":false},"author":2,"featured_media":301692,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_crdt_document":"","footnotes":""},"categories":[2331],"tags":[420,356],"class_list":{"0":"post-301691","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-awards","8":"tag-emilia-romagna-film-commission","9":"tag-focus"},"yoast_head":"\nOrso d'Oro a Yellow Letters. Italia premiata con Nina Roza e On our Own - Cinema & Video International<\/title>\n<meta name=\"description\" content=\"Orso d'Oro a Yellow Letters. 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