{"id":301412,"date":"2026-01-22T09:07:10","date_gmt":"2026-01-22T08:07:10","guid":{"rendered":"https:\/\/cinema.video\/?p=301412"},"modified":"2026-04-10T04:11:40","modified_gmt":"2026-04-10T02:11:40","slug":"wemw-going-underground-e-the-last-dog-on-hearth","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/wemw-going-underground-e-the-last-dog-on-hearth","title":{"rendered":"Vincono Going Underground e The Last Dog on Hearth"},"content":{"rendered":"\n

Oltre 650 professionisti da 60 paesi hanno partecipato alla 16\u00b0 edizione di When East Meets West<\/strong>, che si \u00e8 svolta a Trieste dal 18 al 20 gennaio con Alessandro Gropplero<\/strong> assieme a Alessandra Pastore.<\/strong><\/p>\n\n\n\n

Moltissimi i premi assegnati, grazie anche alla collaborazione di pi\u00f9 di 100 fra partners e supporters.
<\/p>\n\n\n\n

Co-Production Forum<\/h2>\n\n\n\n

Going Underground<\/strong><\/em> di Armands Za\u010ds<\/strong>, e The Last Dog on Hearth<\/em><\/strong> di Nina Kopko<\/strong>: sono un documentario e un film di finzione i progetti vincitori dei premi principali della 16\u00b0 edizione di When East Meets West<\/strong>, assegnati il 20 gennaio a conclusione delle tre giornate di pitching, works in progress, laboratori e panel, che hanno ospitato 15 attivit\u00e0 in parallelo e oltre 750 meeting individuali.<\/p>\n\n\n\n

Going Underground<\/em> conquista il Film Center Serbia Award<\/strong> (da \u20ac 5.000). Prodotto da Mistrus Media<\/strong> (Latvia), Allfilm <\/strong>(Estonia) e Making Movies<\/strong> (Finlandia), il documentario segue una giovane architetta lettone nel suo lavoro sotterraneo di ispezione di rifugi di guerra da usare in caso di un eventuale attacco russo. Delle incursioni che pian piano alimentano le sue paure. Ha vinto inoltre il Taskovski #DocsConnect Award<\/strong>.<\/p>\n\n\n\n

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Going Underground<\/figcaption><\/figure>\n\n\n\n

La storia di The Last Dog on Hearth<\/em> \u00e8 quella di Luana, un’ex veterinaria, diventata autista di ‘ridshare’ in un mondo distopico dove i cani sono estinti. Sull’orlo del suicidio, Luana invertir\u00e0 la rotta quando dar\u00e0 un passaggio a qualcuno che tiene nascosto un cane.
Il film \u00e8 realizzato da un team brasiliano tutto al femminile, compresa l’attrice principale, Carol Duarte<\/strong> (interprete de La Chimera<\/em>). “Gireremo in Brasile, a San Paolo, nell’estate 2027, ma ci piacerebbe trovare un direttore della fotografia che venga da fuori, per avere uno sguardo ‘alieno’ sulla citt\u00e0” rivela Leticia Friedrich<\/strong>, che produce il film con Vitrine Filmes<\/strong>, assieme a Boulevard Filmes<\/strong>.
The Last Dog on Earth si \u00e8 aggiudicato inoltre l’EWA Network\u2019s Award for Equality & Inclusion\u00a0<\/strong>e il Pop Up Film Residency Award<\/strong>.<\/p>\n\n\n\n

“Due storie molto contemporanee che raccontano le nostre paure” Dicono le giurate, Katharina Boendel (Shellac), <\/strong>Daniela Persico <\/strong>(Locarno Film Festival), Sonja Prosenc (MONOO) e Marija Razgut\u0117 (M-Films). <\/p>\n\n\n\n

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La Giuria ha inoltre assegnato il GoGo2025 Residency Award <\/strong>alla commedia tragica What Kind of people are you<\/em><\/strong> diretta da Lina Lu\u017eyt\u0117<\/strong> e prodotta da Just a moment <\/strong>(Lituania) e Stellar Film<\/strong> (Estonia).<\/p>\n\n\n\n

La produttrice romena Diana Caravia<\/strong>, selezionata con il progetto The Summer Holiday<\/strong><\/em>, \u00e8 stata premiata con una borsa di studio per l’ EAVE Producers Workshop<\/strong>; il film My Name Is Enough<\/em> <\/strong>ha ottenuto il DAE Talent Development prize<\/strong>; \u010carna Vu\u0107ini\u010d<\/strong>, produttrice di Koryo<\/em> ricever\u00e0 un badge gratuito per il Cannes March\u00e9 du Film Producers\u2019 Network<\/strong>, mentre il progetto Rainy Dreams<\/em> si \u00e8 aggiudicato la possibilit\u00e0 di essere uno dei progetti curati all’interno dello Spotlight Cannes Docs 2026<\/strong>.\u00a0<\/p>\n\n\n\n

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Infine, il CEE Animation Award <\/strong>\u00e8 andato a Hair of Hare<\/strong><\/em>, diretto da Sander Joon, e prodotto da Aurelia Asa (AAA Creative, Estonia).<\/p>\n\n\n\n

Works in Progress<\/h2>\n\n\n\n

La Giuria di Last Stop Trieste<\/strong>, sessione dedicata ai documentari in fase di rough cut, composta da Tereza Bona Keilova (HBO Europe), Marko Erakovic (Montenegro Film Centre), Anne-Laure Negrin (ARTE \u2013 GEIE) e Meike Statema (International Documentary Film Festival Amsterdam), ha assegnato l’ HBO Europe Award<\/strong> del valore di \u20ac 1.000 a Birdie<\/strong><\/em> di Aneta Ptak e il Film Center Montenegro Award<\/strong> (\u20ac 2.000) al progetto georgiano Sacred Songs<\/strong><\/em> di Nona Giunashvili e Mariam Bitsadze (17\/07 Productions).<\/p>\n\n\n\n

La giuria di This is IT<\/strong>, la sessione dei lungometraggi di co-produzione con l’Italia o prodotti dai paesi in focus di WEMW spotlight territories, composta da Amaury Auge (ACID), Sabrina Baracetti (Tucker Film) e N\u00faria Palenzuela Camon (Indie Sales) ha premiato con il Laser Film Award<\/strong> il progetto Death Has No Master<\/em> <\/strong>di Jorge Thielen Armand prodotto da La Faena Films (Venezuela \/ Canada), Volos Films Italia (Italia) e Deal Productions (Lussemburgo). Il premio consiste di 4 giornate di color grading e un DCP per un valore totale di 10.000\u20ac.
Inoltre, il M74 Award<\/strong>, ch consiste nella creazione di effetti. visivi e titoli di apertura del valore di 10.000\u20ac, \u00e8 andato a Everytime<\/strong><\/em> di Sandra Wollner\u2019s, <\/strong>prodotto da Panama Films (Austria) e The Barricades (Germany). <\/p>\n\n\n\n

First Cut+<\/strong> \u00e8 invece rivolto a quei progetti che hanno preso parte in passato del workshop First Cut Lab: la giuria, formata da Esra Demirkiran (TRT), Keiko Funato (Alpha Violet), Jessica Kiang (Berlinale), Vojtech Kocarnik (Karlovy Vary International Film Festival), e Angela Prudenzi (Venice International Film Festival) ha consegnato il TRT Prize<\/strong>, del valore di \u20ac 5.000, al progetto tedesco Patty<\/strong><\/em>\u00a0<\/strong>di Luise Donschen.<\/p>\n\n\n\n

Midpoint e Italy-Baltic<\/strong> Development Awards for Co-Production<\/strong><\/h2>\n\n\n\n

Altro progetto tedesco \u00e8 Manclave<\/strong><\/em>, prodotto da Frederik Ehrhardt <\/strong>(Freud & Ecstasy<\/strong>): ha vinto il HAVC & MIDPOINT Development Award<\/strong>, del valore di \u20ac 3.000: ad assegnarlo, la giuria composta da Alicia Martinez Miguel (Brussels International Film Festival), Marie-Gabrielle Peaucelle (Les Films de Juillet) e Mill\u00e1n V\u00e1zquez-Ortiz (Agencia Freak) <\/p>\n\n\n\n

Utlimo, ma non ultimo, i tre premi allo sviluppo consegnati nell’ambito del programma Italy-Baltic Development Awards for Co-Production<\/strong>, nato proprio a WEMW nel 2017: un totale di \u20ac 40,000 messi a disposizione da Ministero della Cultura (MiC), Estonian Film Institute, Lithuanian Film Centre e National Film Centre of Latvia. <\/p>\n\n\n\n

Il progetto maggioritario italiano Jona<\/em>s, <\/strong>di Gregorio Sassoli co-sviluppato dalla societ\u00e0 italiana Corego srl <\/strong>e dalla lituana Frailty Film<\/strong>, ha ricevuto \u20ac 20.000.<\/p>\n\n\n\n

\u20ac 10.000 ciascuno per due co-produzioni maggioritarie dei paesi baltici: Blue Lada <\/strong>di Urmet Piiling co-sviluppato dalla societ\u00e0 estone Tallifornia Eriotstarbeline Massiivne Tellis O\u00dc\u00a0<\/strong> e dall’italiana Cinefonie<\/strong>, e Beautiful Death, <\/strong>diretto da Andris Gauja e prodotto dalla societ\u00e0 lettone Riverbed<\/strong>, dall’estone Film Tower<\/strong>\u00a0e dall’italiana Mammut Film<\/strong>, assieme alla bulgara Agitprop.<\/p>\n\n\n\n

Quest’anno, per la seconda volta, sono stati consegnati a WEMW gli Inspirational Lab Special Gifts, forniti da CIRCLE e dal TorinoFilmLab: CIRCLE, Training initiative for women and gender-expensive filmmakers Special Gift<\/strong>, consiste in un posto nel Digital Empowerment Programme<\/em>, ed \u00e8 andato a Paulina Albrecht <\/strong>e Roberta Coutinho Sauerbronn<\/strong>. J\u00e9r\u00e9mie Palanque<\/strong> si \u00e8 invece conquistato una partecipazione al TFL Next Workshop<\/em>. Il programma includeva inoltre una serie di sessioni di consulenze individuali sulla produzione Green, che sono state fornite durante i giorni di mercato da Linnea Merzagora<\/strong> di Trentino Film Commission \u2013 Green Film.<\/strong><\/p>\n\n\n\n


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Going Underground e The Last Dog on Hearth sono I principali vincitori della 16\u00b0 edizione di WEMW, a gennaio dal 18 al 20 gennaio. 650 i professionisti accreditati e oltre 750 meetings individuali<\/p>\n","protected":false},"author":26,"featured_media":301414,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-301412","post","type-post","status-publish","format-standard","has-post-thumbnail","category-senza-categoria"],"yoast_head":"\nVincono Going Underground e The Last Dog on Hearth - Cinema & Video International<\/title>\n<meta name=\"description\" content=\"Vincono Going Underground e The Last Dog on Hearth \u2013 vincono going underground e the last. 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