{"id":300741,"date":"2025-10-08T11:11:42","date_gmt":"2025-10-08T09:11:42","guid":{"rendered":"https:\/\/cinema.video\/?p=300741"},"modified":"2026-04-10T04:10:34","modified_gmt":"2026-04-10T02:10:34","slug":"stolen-heist-of-the-century-leonardo-notarbartolo","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/stolen-heist-of-the-century-leonardo-notarbartolo","title":{"rendered":"STOLEN Heist of the Century dove Torino diventa Anversa"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La storia della pi\u00f9 grande rapina di diamanti avvenuta nella pi\u00f9 sicura location della citt\u00e0 pi\u00f9 sicura peri diamanti: Anversa. Questo \u00e8 <strong><em>Stolen: Heist of the Century<\/em><\/strong> documentario cinematografico targato <strong>Netflix<\/strong>, dove la storia \u00e8 raccontata dal criminale che ne \u00e8 stato protagonista, Leonardo Notarbartolo. Ed \u00e8 girato nella sua citt\u00e0: Torino, prodotto da <strong>Raw TV<\/strong>\u00a0con la produzione esecutiva di<strong> EiE film produzione<\/strong> e il supporto di <strong>Film Commission Torino Piemonte.\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Al <strong>MIA<\/strong> il suo case study \u00e8 stato protagonista del panel dal titolo <strong><em>The (second) Italian Job: Stolen, Heist of the Century &#8211; an Italian shooting case history<\/em><\/strong>. Col doppio riferimento al mondo delle rapine e al fatto che per la seconda volta, dopo <em>The Vatican Girl, <\/em><strong>Mark Lewis<\/strong> di Raw TV (che \u00e8 regista del film) e <strong>Chiara Messineo<\/strong>, produttrice esecutiva, scelgono una storia e una location italiana.\u00a0 Per ragioni narrative, certo (&#8220;l&#8217;operazione aveva senso solo se riuscivamo ad avere Leonardo, altrimenti sarebbe stato un police procedural&#8221; dice Messineo). Ma non solo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oltre 90 professionisti sono stati impegnati a Torino, \u201cper 12 settimane di produzione, 3 di riprese e 5 di ricostruzione del blindatissimo caveau Diamond Center, di Anversa, all\u2019interno di un ufficio postale di cinque piani abbandonato, la cui propriet\u00e0 \u00e8 divisa fra Poste Italiane e Ferrovie dello Stato\u201d ha raccontato <strong>Davide Valentini<\/strong> Head of Documentary\/Factual Series di EiE film. \u201cEd \u00e8 qu che \u00e8 entrata in azione la film commission\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il direttore di FCTP <strong>Paolo Manera<\/strong>, evidenziando come la flessibilit\u00e0 sia il valore aggiunto della struttura da lui guidata, (\u201cil nostro pregio \u00e8 essere flessibili e avere relazioni con le persone che lavorano nelle istituzioni e a cui cerchiamo di spiegare che cinema \u00e8 rilevante dal punto di vista sociale ed economico), ha definito questa produzione, \u201cun game changer per la sua natura ibrida, borderline fra documentario e finzione, perfetto per pensare a dei cambiamenti\u00a0 nel nostro film fund che vorremmo\u00a0 anch\u2019esso pi\u00f9 flessibile.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Quella di <strong><em>Stolen: Heist of the Century <\/em><\/strong>\u00e8 stata la prima esperienza di service per EiE film produzione che di solito si focalizza su produzioni originali: \u201cl\u2019abbiamo affrontata con grande senso di responsabilit\u00e0 e con la migliore location scout in circolazione: <strong>Cristina Vecchio.\u201d<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La rapidit\u00e0 e efficienza dei location scouts piemontesi \u00e8 un altro at\u00f9 della film commission, conferma Manera, \u201cgrazie alla quale si sono girati qui molti film che sarebbero dovuti andare altrove.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Confermano&nbsp; Mark Lewis e Chiara Messineo, che hanno trovato Torino una citt\u00e0 davvero film friendly. E aggiungono: \u201cPensiamo che ci sia un grande potenziale per le storie italiane di essere raccontate con questo formato: storie vere, con protagonisti forti che permettono un respiro cinematografico.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Al MIA il case study su Stolen: Heist of the Century, girato a Torino da Mark Lewis e Chiara Messineo con la produzione esecutiva di EiE e il supporto di FCTP<\/p>\n","protected":false},"author":2,"featured_media":300744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_wpcom_ai_launchpad_first_post":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[1323,417],"class_list":["post-300741","post","type-post","status-publish","format-standard","has-post-thumbnail","category-senza-categoria","tag-eie-film","tag-film-commission-torino-piemonte"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.8 (Yoast SEO v28.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>STOLEN Heist of the Century dove Torino diventa Anversa - Cinema &amp; Video International<\/title>\n<meta name=\"description\" content=\"STOLEN Heist of the Century dove Torino diventa Anversa \u2013 stolen heist of the century dove. 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