{"id":300477,"date":"2025-09-08T10:11:41","date_gmt":"2025-09-08T08:11:41","guid":{"rendered":"https:\/\/cinema.video\/?p=300477"},"modified":"2026-04-10T04:10:09","modified_gmt":"2026-04-10T02:10:09","slug":"venezia-82-jim-jarmush-the-voice-of-hind-rajab","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/venezia-82-jim-jarmush-the-voice-of-hind-rajab","title":{"rendered":"Vince la Famiglia (secondo Jarmush)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">E\u2019 di <strong>Jim Jarmush<\/strong> e del suo film in tre episodi sui mali della famiglia <strong><em>Father Mother Sister Brother <\/em><\/strong>il Leone d\u2019Oro di questa <strong>82.Mostra d&#8217;Arte Cinematografica di Venezia<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The Voice of Hind Rajab <\/em><\/strong>di\u00a0<strong>Kaouther Ben Hania<\/strong>, il film che \u00e8 diventato simbolo della Mostra, attraversata anche dalla grande manifestazione<strong> Venice4Palestine,<\/strong> che racconta la storia vera della bambina palestinese uccisa a Gaza durante un attacco, dopo aver passato ore intrappolata in macchina al telefono con gli operatori della Mezzaluna Rossa, ha vinto \u2018solo\u2019 il <strong>Leone d\u2019Argento, Gran Premio della Giuria<\/strong>. <br>Un\u2019occasione sprecata, secondo moltissimi professionisti che, all\u2019indomani della proiezione del film, si erano espressi anche sui social augurandosi fortemente che la Giuria, capitanata da <strong>Alexander Payne<\/strong> e rappresentata per l\u2019Italia da <strong>Maura Delpero<\/strong> (che proprio l\u2019anno scorso aveva vinto lo stesso premio) tributasse a questo film il massimo riconoscimento del Festival.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019Italia \u00e8 ben presente nel Palmares: <strong>Premio Speciale della Giuria<\/strong> a<strong><em> Sotto le Nuvole<\/em><\/strong> di <strong>Gianfranco Rosi<\/strong>, <strong>Coppa Volpi<\/strong> per il <strong>Miglior Attore<\/strong> a<strong> Toni Servillo<\/strong> per <em><strong>La Grazia <\/strong><\/em>di Paolo Sorrentino.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Servillo, che era stato criticato nei giorni del festival per non aver condiviso il boicottaggio,&nbsp; richiesto alla Mostra da Venice4Palestine, degli attori Gerard Butler e Gal Gadot, accusati di sostenere &#8220;ideologicamente e materialmente la condotta politica e militare di Israele\u201d, ha speso parole di ammirazione per l\u2019impresa della Sumod Flotilla.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ha fatto un passo in pi\u00f9 <strong>Benedetta Porcaroli,<\/strong> che ha dedicato \u201cagli amici della Flotilla\u201d il premio come <strong>Migliore Attrice<\/strong> conquistato in<em><strong> Orizzonti<\/strong><\/em>, dove era in gara con<strong><em> Il Rapimento di Arabella<\/em><\/strong> di Carolina Cavalli. <br>Anche l\u2019altro film italiano di <em>Orizzonti<\/em>,<strong><em> L\u2019Ultimo anno di Scuola<\/em><\/strong> di Laura Samani, ha ottenuto il premio al Miglior Attore: va al giovane <strong>Giacomo Covi.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tornando al <em>Concorso<\/em>, il <strong>Leone d\u2019Argento per la miglior Regia<\/strong> \u00e8 di<strong> Benny Safdie <\/strong>per <strong><em>The Smashing Machine, <\/em><\/strong>il Premio alla<strong> Migliore Sceneggiatura <\/strong>lo vincono <strong>Valerie Donzelli e Gilles Marchand<\/strong> con <em><strong>\u00c0 Pied d\u2019ouevre<\/strong><\/em>. <strong>Migliore attrice<\/strong> \u00e8 la cinese&nbsp; <strong>Xin Zhilei<\/strong>, protagonista di <em><strong>The Sun Rises On Us All<\/strong><\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"536\" src=\"https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile-1024x536.jpg\" alt=\"\" class=\"wp-image-300515\" srcset=\"https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile.jpg 1024w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile.jpg 300w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile.jpg 768w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile.jpg 803w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile.jpg 150w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile.jpg 696w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile.jpg 1068w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/Xin-Zhile.jpg 1200w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption class=\"wp-element-caption\"><strong>Xin Zhile<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Altra attrice premiata \u00e8 Luna Wedler,<\/strong> che conquista Il Premio Marcello Mastroianni a un giovane attore o attrice emergente, con la sua interpretazione nel film<strong><em> Silent Friend <\/em><\/strong>della regista ungherese Ildiko Enyedi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il Premio Venezia Opera Prima &#8220;Luigi De Laurentiis&#8221; va a <strong><em>Short Summer<\/em><\/strong> di <strong>Nastia Korkia <\/strong>(Germania, Francia, Serbia), in Concorso alle Giornate degli Autori.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><em>Orizzonti<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Il film messicano En el Camino (<em>On the Road<\/em>) di David Pablos vince il <strong>Premio Orizzonti per il Miglior Film,<\/strong> e conquista anche il <strong>Queer Lion Award <\/strong>con la storia di Veneno, giovane vagabondo ribelle, mentre si addentra insieme al duro e riservato Mu\u00f1eco nel mondo ipermascolino dei lunghi viaggi dei camionisti nel nord del Messico. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La miglior regia di Orizzonti \u00e8 quella di <strong>Anuparna Roy&nbsp;<\/strong>per il film <strong><em>Songs of forgotten Trees<\/em><\/strong>; il premio Speciale della Giuria va a <strong><em>Sar\u00e0 Watan <\/em><\/strong>(<strong><em>Lost Land<\/em><\/strong>) di <strong>Akio Fujimoto<\/strong>; la migliore sceneggiatura \u00e8 quella firmata da <strong>Ana Cristina Barrag\u00e1n <\/strong>per il film ecuadoriano<strong><em> Hiedra <\/em><\/strong>(<em>The Ivy<\/em>), mentre il miglior cortometraggio \u00e8 lo svedese <strong><em>Utan Kelly<\/em><\/strong> (<strong><em>Without Kelly<\/em><\/strong>) di <strong>Lovisa Sir\u00e9n.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Venice Immersive<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Il Gran Premio Venice Immersice va a <strong><em>The Clouds are two thousand&nbsp; Meters up&nbsp;<\/em><\/strong>di <strong>Singing Chen<\/strong> (Taipei, Germania); il Premio Speciale della Giuria a <strong><em>Less than 5gr of Saffron <\/em><\/strong>di<strong> N\u00e9gar Motevalymeidanshah <\/strong>(Francia), mentre il premio per la Realizzazione a<strong><em> A long Goodbye<\/em> di Kate Voet e Victor Maes <\/strong>(Belgio, Lussemburgo, Paesi Bassi).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"970\" height=\"647\" src=\"https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/the_clouds_are_two_thousand_meters_up.jpg\" alt=\"\" class=\"wp-image-300488\" srcset=\"https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/the_clouds_are_two_thousand_meters_up.jpg 970w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/the_clouds_are_two_thousand_meters_up.jpg 300w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/the_clouds_are_two_thousand_meters_up.jpg 768w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/the_clouds_are_two_thousand_meters_up.jpg 630w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/the_clouds_are_two_thousand_meters_up.jpg 150w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/the_clouds_are_two_thousand_meters_up.jpg 696w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Settimana Internazionale della Critica<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Il film vincitore del Gran Premio I Wonderfull della<strong> Settimana Internazionale della Critica<\/strong> \u00e8 <strong><em>Straight Circle <\/em><\/strong>di <strong>Oscar Hudson.<\/strong><br>Il Premio Luciano Sovena alla Miglior Produzione Indipendente va ad <strong><em>Agon<\/em><\/strong> di <strong>Giulio Bertelli<\/strong>, mentre <strong><em>Waking Hours <\/em><\/strong>di <strong>Federico Cammarata e Filippo Foscarini <\/strong>si aggiudica il Premio Mario Serandrei &#8211; Hotel Saturnia per il Miglior Contributo Tecnico.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione-1024x683.jpg\" alt=\"\" class=\"wp-image-300489\" srcset=\"https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 1024w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 300w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 768w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 1536w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 630w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 150w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 696w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 1068w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 1800w, https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/SIC-premiazione.jpg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption class=\"wp-element-caption\">Il regista di <em>Straight Circle<\/em>&nbsp;director Oscar Hudson e la Gioia della SIC \/ Ph. \u00a9 Alice BL Durigatto <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il cortometraggio Marina di Paoli De Luca \u00e8 invece il vincitore della 9\u00b0 edizione di&nbsp; <strong>SIC@SIC<\/strong> (Short Italian Cinema @ Settimana Internazionale della Critica), e si aggiudica anche il Miglior Contributo Tecnico. La miglior regia \u00e8 di <strong>Nadir Taji <\/strong>con il suo<strong> Festa in Famiglia. <\/strong>Infine, una Menzione Speciale \u00e8 stata assegnata a<strong> El P\u00fcti Pers di Paolo Baiguera<\/strong>,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il premio assegnato dal<strong> Centro Nazionale del Cortometraggio<\/strong> va a <b><i>The P\u00f8rn\u00f8graph\u0259r<\/i><\/b><strong> <\/strong>di<strong> Hariel<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Giornate degli Autori<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Il film vincitore del GdA Director\u2019s Award della XX edizione della sezione parallela della Mostra promossa da ANAC e 100autori, \u00e8 <strong><em>Daroon-E Amir (Inside Amir)<\/em><\/strong> del regista iraniano <strong>Amir Azizi<\/strong>, una storia personale che indaga il dubbio del rimanere e dell\u2019andarsene da una citt\u00e0.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"538\" src=\"https:\/\/cinema.video\/wp-content\/uploads\/2025\/09\/2-DAROON-E-AMIR-1024x538.jpeg\" alt=\"\" class=\"wp-image-300490\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Bearcave<\/em><\/strong>, esordio alla regia di <strong>Stergios Dinopoulos<\/strong> e <strong>Krysianna B. Papadakis<\/strong> vince l\u2019EUROPA CINEMAS LABEL, premio creato da un network di esercenti europei, con il sostegno del Programma MEDIA dell\u2019Unione Europea, dedicato ai film di produzione e co-produzione europea, grazie al quale il vincitore pu\u00f2 beneficiare del sostegno promozionale di Europa Cinemas e di una migliore distribuzione.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Doppio premio del pubblico, che ha espresso il 77,4% delle preferenze per due film: <strong><em>Memory<\/em><\/strong> di <strong>Vladlena Sandu<\/strong> e <strong><em>A sad and beautiful world<\/em><\/strong> di <strong>Cyril Aris.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il <strong>Premio degli Spettatori- Armani Beauty<\/strong>, in questa edizione, segnata anche dalla morte di Giorgio Armani, il cui marchio \u00e8 sponsor ufficiale della Mostra, \u00e8 andato a <strong><em>Calle Malaga<\/em><\/strong>di <strong>Maryam Touzani.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leone d&#8217;Oro a Father Mother Sister Brother di Jim Jarmush. Gran premio della Giuria a The Voice of Hind Rajab. I premi al cinema italiano<\/p>\n","protected":false},"author":2,"featured_media":300500,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[356,1694],"class_list":["post-300477","post","type-post","status-publish","format-standard","has-post-thumbnail","category-senza-categoria","tag-focus","tag-venice-film-festival"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.8 (Yoast SEO v27.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Vince la Famiglia (secondo Jarmush) - Cinema &amp; Video International<\/title>\n<meta name=\"description\" content=\"Vince la Famiglia (secondo Jarmush) \u2013 vince la famiglia secondo jarmush. 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