{"id":283080,"date":"2021-01-28T09:37:14","date_gmt":"2021-01-28T08:37:14","guid":{"rendered":"https:\/\/cinema.video\/?p=283080"},"modified":"2026-04-10T03:51:54","modified_gmt":"2026-04-10T01:51:54","slug":"wemw-a-winner-is-seen-at-trieste","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/wemw-a-winner-is-seen-at-trieste","title":{"rendered":"WEMW A Winner is seen in Trieste"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Sicuramente \u00e8 stato propiziatorio&nbsp;il titolo per <strong>\u201cA winner is seen at the start\u201d<\/strong>: il film che ha trionfato alla <strong>XI edizione di When East Meets West<\/strong> si interroga sul senso della parola vincitore,&nbsp;&nbsp;&nbsp;e sul&nbsp;coraggio che serve per cambiare e rompere le regole imposte, attraverso una storia di doping e corruzione di cui \u00e8 protagonista Maria, l\u2019allieva di una scuola di nuoto sperimentale. Lo firma la giovane&nbsp;regista kazaka&nbsp;<strong>Zhannat Alshanova<\/strong> (che \u00e8 anche produttrice assieme a <strong>Yevgeniya Moreva<\/strong> di <strong>Steppe by Steppe<\/strong>), che, oltre a vincere il premio principale del forum di coproduzione triestino, il&nbsp;&nbsp;<strong>Film Center Serbia Develpoment Fund <\/strong>del valore di 5000 euro, conquista anche la <strong>Pop Up Film Residency <\/strong>che le consentir\u00e0 di dedicare 3 settimane allo sviluppo del proprio progetto sotto la guida di mentori internazionali, e il <strong>Best Woman Director Award<\/strong> elargito da <strong>Ewa Network<\/strong> (che quest\u2019anno ha deciso di premiare anche <strong>Alessandra Celesia<\/strong>, regista di \u201cThe Mechanic of Things \u201c con un anno di iscrizione gratuita al network).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il premio principale di <strong>Last Stop Trieste<\/strong>, che vede concorrere 5 documentari nella fase finale di poduzione, l\u2019\u2019<strong>HBO Europe Documentaries Award<\/strong>, \u00e8 andato a \u201cBrotherwood\u201d di <strong>Francesco Montagner<\/strong>, co-produzione fra Repubblica Ceca (<strong>nutprodukce<\/strong>) e Italia (<strong>Nefertiti Film<\/strong>), vincitore del premio principale della scorsa edizione di WEMW.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Altra \u2018vecchia conoscenza\u2019 di Trieste \u00e8 \u201cDarkling\u201d&nbsp;di <strong>Dusan Milic&nbsp;&nbsp;<\/strong>co-produzione&nbsp;fra Serbia, Italia, Grecia, Bulgaria Danimarca, (<strong>This and That productions<\/strong> e<strong> A Lab<\/strong>), che sempre nel 2018 aveva conquistato il&nbsp;Producers Network Price, e che quest\u2019anno riceve una menzione speciale in&nbsp;<strong>THIS IS IT,<\/strong> la sezione dedicata ai film italiani indipendenti nella fase di post-produzione. <br>A vincere il <strong>Laser Film Award <\/strong>di&nbsp;&nbsp;THIS IS IT (2000 euroin post-produzione e sconto del 50% su ulteriori servizi) \u00e8 invece&nbsp;\u201dCrown Shyness\u201d diretto da <strong>Valentina Bertani&nbsp;<\/strong>e prodotto da<strong>&nbsp;Pietro Puccioni e Federica Spina (Diaviva<\/strong>), che racconta&nbsp;&nbsp;l\u2019estate del passaggio alla vita adulta di Benjamin e Joshua, due fratelli ebrei con un ritardo cognitivo. <br>Il progetto, che conta su su un finanziamento&nbsp;&nbsp;del <strong>MiBACtT e del&nbsp;&nbsp;Tax Credit, <\/strong>sta ultimando la produzione: \u201cdobbiamo girare il terzo atto in Israele\u201d, ha spiegato Federica Spina all\u2019interno dell\u2019incontro di presentazione fra produttori italiani ed israeliani, i paesi a cui era dedicato quest\u2019anno il focus di When East Meets West.&nbsp;<br><br>Fra gli altri produttori italiani in cerca di partners in Israele anche&nbsp;&nbsp;<strong>Daniele Segre<\/strong> di <strong>Redibis<\/strong>,&nbsp;che girer\u00e0 fra Betlemme e Gerusalemme \u201cThe doorkeeper\u201d di <strong>Alessandro Stevanon<\/strong>, attualmente in sviluppo (sostenuto da <strong>Torino Piemonte Film Commission<\/strong> e da <strong>Valle D\u2019Aosta Film Commission<\/strong>).&nbsp;&nbsp;In fase inziale di sviluppo \u00e8 poi \u201cOver Time and Distance\u201d del regista israeliano Yotam Bendavid, coproduzione minoritaria per l\u2019Italia che vede coinvolto <strong>Alessandro Amato<\/strong> con&nbsp;&nbsp;<strong>Disparte<\/strong>, assieme alla francese La Belle Affaire (maggioritario) e all\u2019israeliano KM Productions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tornando ai riconoscimenti del forum di coproduzione, il&nbsp;&nbsp;premio che fornisce un accredito gratuito al <strong>Producer\u2019s network del Festival di Cannes<\/strong> quest\u2019anno \u00e8 andato a&nbsp;<strong>Marija Razgute <\/strong>per il film&nbsp;\u201dSlow\u201d di<strong> Marija Kavtaradze <\/strong>e a&nbsp;<strong>Matteo Pecoraro <\/strong>di <strong>Small Boss <\/strong>per il documentario \u201cEurope Est\u201d di<strong> Elena Rebeca Carini, <\/strong>un road movie esistenziale che seguir\u00e0 il viaggio con cui due fratelli si incontrano per la prima volta dopo 30 anni, e che conta gi\u00e0 sul sostegno del <strong>Fondo di Emilia Romagna Film Commission.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>L\u2019Accelerator Award <\/strong>che garantisce un anno di iscrizione gratuita a<strong> Documentary Association of Europe <\/strong>e un accredito gratuito per il prossimo European Film Market della Berlinale&nbsp;&nbsp;\u00e8 andato al documentario russo&nbsp;&nbsp;\u201cFoals\u201d di<strong> Salom\u00e9 H\u00e9vin (Pivonka)<\/strong>; mentre il <strong>Flow Post Production Award <\/strong>di 15 mila euro al tedesco&nbsp;\u201cA safe Place\u201d di <strong>Sara Summa<\/strong>, prodotto da <strong>Chromosom Film<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La borsa di studio per il workshop di EAVE \u00e8 stata assegnata alla produttrice macedone <strong>Marija Dimitrova<\/strong> per \u201cHousekeeping for Beginners\u201d di&nbsp;<strong>Goran Stolevski<\/strong>.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WEMW <\/strong>\u00e8 diretto da <strong>Alessandro Gropplero <\/strong>e organizzato dal<strong> Fondo per l&#8217;Audiovisivo del Friuli Venezia Giulia<\/strong> in collaborazione con il <strong>Trieste Film Festival, EAVE, Creative Europe Desk Italy <\/strong>e con il supporto di <strong>Creative Europe\/MEDIA Programme, MIBACT -Direzione Generale per il Cinema, CEI \u2013 Central European Initiative, Film Center Serbia <\/strong>e la Regione Autonoma del <strong> Friuli Venezia Giulia. <\/strong><br>L&#8217;edizione 2021 \u00e8 realizzata in partnership con <strong>Israel Cinema Project, Rabinovich Foundation <\/strong>e <strong>MIBACT \u2013 Direzione Generale per il Cinema.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cA winner is seen at the start\u201d della giovane regista kazaka Zhannat Alshanova ha trionfato alla XI edizione di When East Meets West<\/p>\n","protected":false},"author":2,"featured_media":283551,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_wpcom_ai_launchpad_first_post":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[189],"tags":[197,2334,356,2321],"class_list":["post-283080","post","type-post","status-publish","format-standard","has-post-thumbnail","category-events","tag-coproduction","tag-events","tag-focus","tag-select-fvg-film-commission-fvg-film-commission"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.6 (Yoast SEO v28.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>WEMW A Winner is seen in Trieste - Cinema &amp; 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