{"id":10974,"date":"2016-05-10T09:33:34","date_gmt":"2016-05-10T09:33:34","guid":{"rendered":"https:\/\/cinema.video\/?p=10974"},"modified":"2026-04-10T03:33:49","modified_gmt":"2026-04-10T01:33:49","slug":"cannes-2016collateral-views","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/cannes-2016collateral-views","title":{"rendered":"CANNES 2016 Collateral views"},"content":{"rendered":"<p><strong><em>Read also<br \/>\n<\/em><\/strong><strong><a title=\"THE FILM\/An existential noir\" href=\"https:\/\/cinema.video\/the-filman-existential-noir\"><span style=\"font-size: 12pt;\"><em>THE FILM\/An existential Noir<\/em><\/span><br \/>\n<\/a><\/strong><span style=\"font-size: 12pt;\"><em><strong><a title=\"EMANUELE NESPECA\/Producer on the Move\" href=\"https:\/\/cinema.video\/emanuele-nespecaproducers-on-the-move\">EMANUELE NESPECA\/Producer on the move<\/a><\/strong><\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Cannes 2016: after the disappointment for the absence of any Italian films in competition for the Palme d\u2019Or (although we have<strong> Valeria Golino<\/strong> on the jury), we are smiling again: our film industry is alive and kicking. Particularly with regard to young filmmakers, non-mainstream, courageous and unconventional works, \u201ccollateral\u201d and less standardized views, albeit from acclaimed filmmakers overlooked by the solemnity of the competition.<\/p>\n<p>So here is the list, the catalogue of movies which will give us a good reason to root for Italy at Cannes.<br \/>\nWe start with \u00abPericle\u00bb by <strong>Stefano Mordini<\/strong>, in <em>Un Certain Regard<\/em>, the big Festival\u2019s \u201ccurious and experimental\u201d section.<br \/>\nBased on Giuseppe Ferrandino\u2019s extremely dark novel, it is a movie without redemption about a mobster who works for the Cammorra featuring Riccardo Scamarcio in the title role.<\/p>\n<p>The big surprise comes in the <em>Quinzaine des R\u00e9alisateurs<\/em> (<em>Directors\u2019 Fortnight<\/em>), where three works have been selected which couldn\u2019t be more different as they represent different pathways of our cinema and of Italy itself.<br \/>\n\u00abSweet Dreams\u00bb by <strong>Marco Bellocchio<\/strong> is the opening movie. Produced by <strong>Beppe Caschetto\u2019s IBC Movie<\/strong> in coproduction with France\u2019s <strong>Kavac Film<\/strong>, with a very prestigious cast: Valerio Mastandrea, Piera Degli Esposti, Roberto Herlitzka and Fabrizio Gifuni, it is based on Massimo Gramellini\u2019s autobiography and is another (albeit distant) elaboration of grief for the loss of his mother.<br \/>\n\u00abFiore\u00bb by <strong>Claudio Giovannesi<\/strong> is a small film without horizons because it is situated behind bars. It is a love story consisting of nothing more than glances and secret notes set behind the walls of a juvenile prison.<\/p>\n<p>There is nothing in common about these two movies, but they have a lot in common: the photography by Daniele Cipr\u00ec, the presence in the cast of Valerio Mastandrea, the production by IBC Movie.<br \/>\n<strong>Paolo Virz\u00ec<\/strong>\u2019s \u00abLike crazy\u00bb is an Italian-French coproduction (<strong>Lotus Prod.<\/strong> and <strong>Manny Film<\/strong>) that is already being called the Italian \u00abThelma and Louise\u00bb.<\/p>\n<p>It stars Valeria Bruni Tedeschi and Micaela Ramazzotti, imperfect and improbable friends who escape from a mental institution on board an old Lancia which, despite being red, is very reminiscent of \u00abIl sorpasso\u00bb. Virz\u00ec also wrote the screenplay with Francesca Archibugi.<\/p>\n<p><strong>Alessandro Comodin<\/strong>, on the other hand, now on his second work after \u00abL\u2019estate di Giacomo-Summer of Giacomo\u00bb, is our man at <em>Critics\u2019 Week<\/em>. This always very strict and, above all, prudent section has chosen his \u00abHappy times will come soon\u00bb: another coproduction with France (<strong>Okta Film, Shellac Sud<\/strong> and <strong>Arte France<\/strong>) and another story about an escape \u2013 that of two kids during the war, from a prison in a forest \u2013 that pales into legend.<\/p>\n<p>Plus: in the official section but out of competition, in a special midnight screenings section, flying an Italian-French-Greek flag, is the documentary \u00abThe last beach\u00bb by Athenian <strong>Thanos Anastopoulos<\/strong> and Trieste\u2019s <strong>Davide Del Degan<\/strong>.<\/p>\n<p>These are joined at the <em>Atelier de Cin\u00e9fondation<\/em> by <strong>Laura Samani<\/strong>\u2019s \u00abThe sleeping saint\u00bb, a<strong> Centro Sperimentale di Cinematografia<\/strong> production and, in the shorts competition, \u00abThe silence\u00bb by <strong>Farnoosh Samadi and Ali Asgari<\/strong>, Iranians who studied in Italy and have been funded by <strong>Giovanni Pompili\u2019s Kino Produzioni<\/strong>: in a hospital a female doctor speaks to a woman, a Kurdish refugee; the daughter, who should be translating, remains silent.<\/p>\n<p>This is the first time in 20 years that an Italian producer is competing for the Palme d\u2019Or in this section.<br \/>\nEach work has been funded, in different ways, by the MiBACT, film commissions or regional audiovisual funds.<br \/>\nRai Cinema is the minimum common denominator of all the feature movies: shrewdness, luck or because it is the only entity willing to support arthouse cinema?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Read also THE FILM\/An existential Noir EMANUELE NESPECA\/Producer on the move &nbsp; Cannes 2016: after the disappointment for the absence of any Italian films in competition for the Palme d\u2019Or (although we have Valeria Golino on the jury), we are smiling again: our film industry is alive and kicking. Particularly with regard to young filmmakers, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_wpcom_ai_launchpad_first_post":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[84],"class_list":["post-10974","post","type-post","status-publish","format-standard","category-senza-categoria","tag-focus-on-italy"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>CANNES 2016 Collateral views - Cinema &amp; Video International<\/title>\n<meta name=\"description\" content=\"CANNES 2016 Collateral views \u2013 cannes 2016 collateral views. 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