{"id":10918,"date":"2016-05-10T10:49:52","date_gmt":"2016-05-10T10:49:52","guid":{"rendered":"https:\/\/cinema.video\/?p=10918"},"modified":"2026-04-10T03:33:38","modified_gmt":"2026-04-10T01:33:38","slug":"cannes-2016sguardi-collaterali","status":"publish","type":"post","link":"https:\/\/cinema.video\/it\/cannes-2016sguardi-collaterali","title":{"rendered":"CANNES 2016 Sguardi Collaterali"},"content":{"rendered":"<p><strong><em>Leggi anche\u00a0<\/em><\/strong><br \/>\n<em><span style=\"font-size: 12pt;\"><strong><a title=\"GOLINO\/Un \u2018Nero\u2019 esistenziale\" href=\"https:\/\/cinema.video\/golinoun-nero-esistenziale\">GOLINO\/Un &#8220;Nero&#8221; esistenziale<\/a><\/strong><\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Cannes 2016: dopo la delusione per l\u2019assenza di film italiani in concorso per la Palma d\u2019Oro (ma abbiamo in giuria Valeria Golino), tornano i sorrisi: la nostra cinematografia \u00e8 viva e vegeta. Soprattutto sul versante dei giovani autori, delle opere non mainstream, coraggiose e controcorrente, degli sguardi \u201ccollaterali\u201d e meno omologati, anche se di autori conclamati, che la solennit\u00e0 del concorso ha trascurati.<\/p>\n<p>E allora ecco la lista, il catalogo dei film per cui a Cannes sar\u00e0 bello tifare italiano.<br \/>\nCominciamo da \u00abPericle il nero\u00bb di<strong> Stefano Mordini<\/strong>, incluso nel Certain Regard, la sezione \u201csperimentale e curiosa\u201d del festivalone. Dal cupissimo romanzo di Giuseppe Ferrandino, un\u2019opera senza redenzione su un uomo, manovale della camorra, con Riccardo Scamarcio nel ruolo del titolo .<br \/>\nIl colpo grosso arriva nella <em>Quinzaine des R\u00e9alisateurs<\/em>, dove sono tre le opere selezionate: e non potrebbero essere pi\u00f9 diverse, rappresentare percorsi diversi del nostro cinema e del nostro paese.<br \/>\n\u00abFai bei sogni\u00bb di <strong>Marco Bellocchio<\/strong> \u00e8 il film di apertura. Prodotto da <strong>IBC Movie<\/strong> di <strong>Beppe Caschetto<\/strong> in coproduzione con i francesi di <strong>Kavac Film<\/strong>, \u00e8 tratto dal libro autobiografico di Massimo Gramellini, con un cast di assoluto prestigio, da Valerio Mastandrea a Piera Degli Esposti, da Roberto Herlitzka a Fabrizio Gifuni: ancora una volta una (seppure remota) elaborazione del lutto per la perdita della madre.<br \/>\n\u00c8 un piccolo film senza orizzonti, perch\u00e9 dietro le sbarre, \u00abFiore\u00bb di <strong>Claudio Giovannesi<\/strong>: storia di un amore fatto di soli sguardi e biglietti clandestini tra le mura di un carcere minorile. Niente in comune tra queste due pellicole, ma molto in comune: la fotografia di Daniele Cipr\u00ec, la presenza ne cast di Valerio Mastandrea, la produzione IBC Movie.<br \/>\n\u00c8 una coproduzione Italia-Francia (<strong>Lotus Prod<\/strong>. e <strong>Manny Film<\/strong>) \u00abLa pazza gioia\u00bb di Paolo Virz\u00ec, gi\u00e0 definito il \u00abThelma e Louise\u00bb italiano, con Valeria Bruni Tedeschi e Micaela Ramazzotti, imperfette e improbabili amiche in fuga da una casa di cura per malattie mentali a bordo di una vecchia Lancia che, seppure rossa, fa tanto \u00abIl sorpasso\u00bb. Virz\u00ec firma anche la sceneggiatura con Francesca Archibugi.<br \/>\n<strong>Alessandro Comodin<\/strong>, alla sua opera seconda dopo \u00abL\u2019estate di Giacomo\u00bb, \u00e8 invece il nostro uomo nella <em>Settimana della Critica<\/em>. La sempre severissima e soprattutto oculata sezione ha scelto il suo \u00abI Tempi felici verranno presto\u00bb: altra coproduzione con la Francia (<strong>Okta Film, Shellac Sud<\/strong> e <strong>Arte France<\/strong>) altra storia di una fuga \u2013 quella di due ragazzi, durante la guerra, dal carcere in una foresta &#8211; che trascolora nella leggenda.<br \/>\nE poi, ancora: nella sezione ufficiale ma fuori concorso, sezione proiezioni speciali di mezzanotte, con bandiera italo-franco-greca il documentario \u00abL\u2019ultima spiaggia\u00bb che l\u2019ateniese<strong> Thanos Anastopoulos<\/strong> firma con il triestino <strong>Davide Del Degan<\/strong>.<\/p>\n<p>A questi si aggiungono poi all\u2019<em>Atelier de Cin\u00e9fondation<\/em> \u00abLa santa che dorme\u00bb di <strong>Laura Samani<\/strong>, produzione Centro Sperimentale di Cinematografia, e nel concorso cortometraggi \u00abIl silenzio\u00bb di<strong> Farnoosh Samadi e Ali Asgari<\/strong>, iraniani che hanno studiato in Italia e che la <strong>Kino Produzioni<\/strong> di <strong>Giovanni Pompili<\/strong> ha finanziato: in un ospedale una dottoressa parla a una donna, rifugiata curda; la figlia, che dovrebbe tradurre, invece tace.<br \/>\nLa prima volta in 20 anni di un produttore italiano in gara per la Palma d\u2019Oro in questa sezione.<\/p>\n<p>Ciascuno in modo diverso finanziato da MiBACT, film commission o fondi regionali per l\u2019audivisivo, Rai Cinema \u00e8 il minimo comune denominatore di tutti i lungometraggi: per oculatezza, fortuna o perch\u00e9 unica realt\u00e0 pronta a sostenere il cinema d\u2019autore?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Assenti dal concorso del Festival del cinema di Cannes,  i film italiani sono disseminati nelle altre sezioni. invadono la Quinzaine des R\u00e9alisateurs con ben tre titoli<\/p>\n","protected":false},"author":6,"featured_media":10997,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow3e7fCw:productID":"","_wpcom_ai_launchpad_first_post":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[80],"class_list":["post-10918","post","type-post","status-publish","format-standard","has-post-thumbnail","category-senza-categoria","tag-varia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>CANNES 2016 Sguardi Collaterali - Cinema &amp; Video International<\/title>\n<meta name=\"description\" content=\"CANNES 2016 Sguardi Collaterali \u2013 cannes 2016 sguardi collaterali. 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